Richard Lehnert

Recordings of December 1994: Wagner: Siegfried & Götterdämmerung
Recording of the Month
Richard Lehnert  |  Dec 15, 1994
WAGNER: Siegfried
Teldec 4509-94193-2 (4 CDs only). TT: 4:00:09
WAGNER: Götterdämmerung
Teldec 4509-94194-2 (4 CDs only). TT: 4:27:03
Siegfried Jerusalem, Siegfried; Anne Evans, Brünnhilde; John Tomlinson, Wanderer; Günter von Kannen, Alberich; Graham Clark, Mime; Philip Kang, Fafner, Hagen; Bodo Brinkmann, Gunther; Waltraud Meier, Waltraute; Birgitta Svendén, Erda, First Norn; Eva-Maria Bundschuh, Gutrune; Hilde Leidland, Forest Bird, Woglinde; others; 1991 Bayreuth Festival Orchestra & Chorus, Daniel Barenboim
Both: John Mordler, prod.; Gernot R. Westhäuser, eng. DDD.
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Recording of August 1994: Blues for Thought
Recording of the Month
Richard Lehnert  |  Aug 20, 1994
TERRY EVANS: Blues for Thought
PointBlank/Charisma/Virgin 39064 2 (CD only). Ry Cooder, prod.; Mark Ettel, eng. AAD? TT: 49:18
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Recording of February 1994: The Yellow Shark
Recording of the Month
Richard Lehnert  |  Feb 07, 1994
ZAPPA: The Yellow Shark
Ensemble Modern; Peter Rundel, Frank Zappa, conductors
Barking Pumpkin R2 71600 (CD only). Frank Zappa, prod.; Spencer Chrislu, Harry Andronis, Dave Dondorf, engs.; Todd Yvega, Synclavier asst. DDD. TT: 72:00
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The Bob Dylan Bootleg Series
Music and Recording Features
Richard Lehnert  |  Jul 28, 1991
BOB DYLAN: The Bootleg Series, Volumes 1-3 (Rare & Unreleased, 1961-1991) Columbia C3K 47382 (3 CDs only). Jeff Rosen, prod.; Mark Wilder, Tim Geelan, Josh Abbey, Jim Ball, engs. AAD. TT: 3:50:52
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Tannhäuser: Wagner's "problem" opera
Music and Recording Features
Richard Lehnert  |  Jul 15, 1990
When I suggested to editor John Atkinson that the subject of my first "Building A Library" be Wagner's Tannhäuser, furrows ploughed his boyish brow. "Why such minor Wagner? Why not the Ring?"
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Poem: Stereophile Cuts an LP
Music and Recording FeaturesInterviews
John Atkinson, Richard Lehnert, Denis Stevens  |  Sep 03, 1989
Why had a high-end hi-fi magazine felt the need to produce a classical LP when the thrust of real record companies in 1989 is almost exclusively toward CD and cassette? Why did the magazine's editors think they had a better chance than most experienced professional engineers in making a record with audiophile sound quality? Were they guilty of hubris in thinking that the many years between them spent practicing the profession of critic would qualify them as record producers?
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Frank Zappa on CD (and LP), Part I-III
Music and Recording Features
Richard Lehnert  |  Nov 17, 1987
Frank Zappa on CD (and LP), Part I
Stereophile Vol.10 No.8, November 1987
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