Robert Harley

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Robert Harley  |  Oct 29, 2006  |  First Published: Jul 29, 1990  |  0 comments
When a loudspeaker designer produces a world-class product, it is usually the result of years, perhaps decades, of experience gained from designing less ambitious products. To review a particular designer's product history is to witness the learning curve in action as both his skill and technology advance. Successfully battling the laws of physics to produce a truly exceptional loudspeaker is thus thought of as the domain of the seasoned veteran whose vast knowledge and experience culminate in the pinnacle of his career—a world-class loudspeaker. Moreover, it is just these designers, working their way up to their masterpiece, who are the most successful at getting an ambitious design right. The high-end loudspeaker business is littered with the remains of companies that attempted to build a first product far too lofty for their skills.
Sam Tellig, Robert Harley  |  Jul 09, 2006  |  First Published: Sep 09, 1990  |  0 comments
Gotta get this one written up right away—you never know with digital products. Always something new.
Robert Harley  |  Jun 06, 2006  |  First Published: Jul 06, 1993  |  0 comments
I find it astonishing that two products built on completely opposing engineering principles can both have musical merit. Design goals exalted by one company are considered anathema by another, yet both components produce superb sonic results.
Robert Harley  |  Jun 26, 2005  |  First Published: May 01, 1997  |  0 comments
Attacking the compact disc has lately become almost a blood sport among audiophiles and audio writers. Not a month goes by that I don't read—often in Stereophile—some vehement statement about how CDs are a musical abomination.
Robert Harley  |  May 30, 2005  |  First Published: Sep 01, 1997  |  0 comments
With the price of high-end audio increasingly reaching for the stratosphere, audiophiles appear to becoming much more value-conscious. This trend is reflected in the recent popularity of CD players over separate transports and processors, and particularly in the sudden resurgence in integrated amplifiers. An integrated amplifier makes a lot of sense: the buyer saves the cost of two chassis, two power cords, two owner's manuals, and an extra pair of interconnects. You also get a simpler system.
Robert Harley  |  May 08, 2005  |  First Published: Dec 08, 1993  |  0 comments
I feel privileged to have followed the remarkable evolution of digital processors over the past four-and-a-half years. Since my first digital review—a survey of three modified CD players back in August 1989—I've been fascinated by the developments that have inexorably improved the quality of digitally reproduced music.
Robert Harley  |  Apr 10, 2005  |  First Published: Jun 10, 1996  |  1 comments
All the action in digital playback for the past seven years has taken place in separate transports and digital processors. Nearly all high-end manufacturers have focused their skills on perfecting the individual elements of the digital playback chain—transports and processors—rather than on designing integrated CD players.
Robert Harley  |  Nov 05, 2004  |  First Published: Oct 01, 1993  |  0 comments
I've watched from the sidelines with great interest the recent debate in this column over Home Theater (footnote 1) At one extreme is the suggestion that Stereophile begin reviewing video and Home Theater products. The other end of the spectrum was best expressed by John Atkinson at Stereophile's 1993 High-End Hi-Fi Show in San Francisco. Hearing the booming bass overflow of a Home Theater demonstration blasting down a hallway, he said, "They've brought televisions to our hi-fi show!"
Robert Harley  |  Jul 04, 2004  |  First Published: Dec 01, 1990  |  0 comments
Everybody, including myself, was astonished to find that it was impossible to distinguish between my own voice, and Mr. Edison's re-creation of it.—Anna Case, Metropolitan Opera Soprano, 1915
Robert Harley  |  Jul 04, 2004  |  First Published: Jan 01, 1992  |  0 comments
"How sour sweet music is
When time is broke and no proportion kept!"

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