Barry Willis

Despite the almost daily news reports that some music company has found a way to make people pay for music over the Internet, the fact is that very few people have done so. Most people who are getting their music on the Net are getting it free and like it that way---regardless of the quality. A survey released June 9 and funded by the Pew Charitable Trusts---a long-term supporter of National Public Radio---appears to validate this common observation.

One battle in the copyright war is over. <A HREF="http://www.mp3.com/">MP3.com</A&gt; announced Friday, June 9, that it has reached a settlement with <A HREF="http://www.bmg.com/">BMG Entertainment</A> and <A HREF="http://www.warnermusic.com/">Warner Music Group</A>, two of the music industry&rsquo;s "Big Five" that had sued the online music company for copyright infringement. Although MP3.com will have to pay some serious damages---possibly as much as $100 million once the other litigants resolve their cases---it gained a licensing agreement with the two major labels that could be worth far more in long-term business. "It's a heck of a price to pay to get the keys to the kingdom," analyst Phil Leigh told the <A HREF="http://www.wsj.com/"><I>Wall Street Journal</I></A>, "But now they have the crown jewels."

Tito Puente, the "Mambo King" who fused jazz with Latin rhythms, died Wednesday, May 31 at New York University's Medical Center from complications following heart surgery. Puente was 77.

The <A HREF="http://www.sdmi.org/">Secure Digital Music Initiative</A>'s move to establish a copy-prevention technology for commercial recordings has rankled audio engineers, who claim that the audible watermarking technique chosen by the organization could mar high-resolution recordings. Of particular concern are SDMI's testing methods and its rush to get a standard in place without commentary from engineers or the music-buying public.

Will the European Union extend copyright protection to new digital media? That question was still unresolved Friday, May 26, after extended talks between ministers of the EU's 15 member nations failed to produce a coherent result. Meeting in Brussels, the ministers have been discussing how best to protect the interests of copyright holders while allowing consumers adequate leeway to use and reproduce legally purchased music, movies, video, and computer software.

At <I>Stereophile</I> we often gets requests for product reviews. What would you like to see reviewed?

A year after <A HREF="http://www.stereophile.com/news/10445/">introducing</A&gt; the Super Audio Compact Disc player to upscale audiophiles, <A HREF="http://www.sony.com/sel/">Sony Corporation</A> has decided it is time to make the technology available to a wider audience. On May 17, Sony announced that its third-generation SACD player will be launched in Japan in June at approximately $730 US (&#165;80,000). The company's current SACD players, which debuted last fall, list at $3200 and $5000.