John Atkinson

Sort By: Post Date | Title | Publish Date
John Atkinson  |  Apr 08, 2015  |  First Published: Sep 01, 1984  |  4 comments
As reported by Michael Fremer on AnalogPlanet.com, legendary mastering engineer and co-founder of Sheffield Lab, Doug Sax, passed away on April 2. Doug had been suffering from cancer and would have been 79 on April 26.

Coincidentally, we had just posted J. Gordon Holt's October 1982 review of the Sheffield Track Record, which Doug had cut direct-to-disc. This reminded me that Robert Harley had interviewed Doug in the October 1989 issue of Stereophile; rereading that interview reminded me that in September 1984, I had published an interview with Doug in the magazine Hi-Fi News, which I edited at that time.

So, in tribute to Doug, here is my 1984 interview, reprinted with the kind permission of Hi-Fi News editor Paul Miller.—John Atkinson

Dick Olsher, J. Gordon Holt, John Atkinson  |  Jul 12, 2016  |  First Published: Sep 01, 1984  |  0 comments
Stax Kogyo, a small audio company by Japanese standards, has been for the past 15 years steadfastly refining and redefining the electrostatic headphone. The SR-Lambda Pro is their current flagship model, and at a 1984 US list price of $780 it also represents a very substantial investment in headphone technology.
John Atkinson  |  Jul 03, 2018  |  First Published: May 01, 1981  |  40 comments
The author demonstrating stereo microphone techniques at an English audio show in 1981.

For most people the terms hi-fi and stereo are synonymous, and yet it is clear that there is still a great deal of confusion over what the word "stereo" actually means. There isn't even a consensus of opinion amongst producers of records, designers of hi-fi equipment, audio critics and music lovers as to the purpose of stereo, and considering that the arguments show no sign of diminishing in intensity, it is instructive to realise that 1981 sees both the 100th anniversary of Clement Ader's first stereo experiments and the 50th anniversary of Alan Blumlein's classic patent on stereo.

John Atkinson  |  Dec 05, 2017  |  First Published: Nov 01, 1980  |  22 comments
The problem confronting the magazine reviewer when organising the necessary listening tests to accompany/reinforce the measured behavior of a device under test is complex. There has never been a problem with the measurement aspect; as long as someone has access to the same test gear—and full knowledge of the test conditions—then he should be able to replicate the critic's findings exactly (assuming an infinitely narrow spread of behaviour from sample to sample—a rasher assumption with some manufacturers' equipment than of others). However, when it comes to determining reliably the audible (or inaudible?) effects on music program by an amplifier/cartridge/loudspeaker etc. then the going gets tough.

Pages

X