Analog Corner

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Michael Fremer  |  Apr 27, 2022  |  2 comments
Let's get right to it: The best way to set azimuth, as I recently wrote in this space, is to measure crosstalk using either a high-quality voltmeter or a digital oscilloscope and a good test record like Analogue Productions' The Ultimate Analogue Test LP (AAPT1). The traditional, qualitative procedure—setting the headshell so that it's parallel to the record surface—assures only cosmetic satisfaction.
Michael Fremer  |  Mar 29, 2022  |  6 comments
What? Suddenly a new Japanese cartridge manufacturer? That's what I was thinking when Mockingbird Distribution's Phillip Holmes dropped three cartridges on me from DYLP Audio. Never heard of them—but then I'd not heard of MuTech either when Holmes sent me one of that company's $4500 RM-Kanda (now Hyabusa) moving coil cartridges, which I reviewed in the March 2019 issue's Analog Corner. If that cartridge is not on your moving coil radar, you ought to put it there.
Michael Fremer  |  Feb 22, 2022  |  15 comments
One privilege of being a Stereophile columnist is the opportunity to cover products from smaller, less well-known manufacturers, including those that don't have wide enough distribution to qualify for a full review. One such company is Victorville, California–based Paradox. I'd never heard of them until I received an email from Terence Robinson, the company's owner. The email included a description of a phono preamplifier that so intrigued me that I asked for a review sample.
Michael Fremer  |  Jan 25, 2022  |  15 comments
As I watched WAM Engineering's J.R. Boisclair give an advanced turntable setup seminar at last November's Capitol Audiofest, a light went off. I'm being figurative, but the lights didliterally—go off, and then on again, as I flipped the switch for Boisclair's presentation (see the above photo), which featured both screen time and an in-person lecture.
Michael Fremer  |  Dec 28, 2021  |  3 comments
Ortofon had hoped to introduce its new MC Verismo phono cartridge "in person" at one of last fall's North American shows, but those shows never took place. COVID necessitated instead an October 30 live Facebook introduction, the company's first such premier. The next day, AnalogPlanet posted an exclusive interview with Leif Johannsen, the cartridge's designer and Ortofon's chief officer of acoustics and technology.
Michael Fremer  |  Nov 30, 2021  |  0 comments
So glad to be back in business with superclean electricity! Especially having spent the last few weeks listening to the remarkably pure-sounding Analog Relax EX1000 cartridge ($16,000).

The brochure asks, "Have you heard of YAKUSUGI Cedar?" No. I had never heard of Analog Relax, either. If you have heard of it, you're at least one step ahead of me.

Michael Fremer  |  Oct 19, 2021  |  60 comments
Rex Hungerford, Edward DeVito, and Craig Bradley rode into town last week and, together with Audioquest's Garth Powell, solved all the electrical problems that have plagued my audio system for years.
Michael Fremer  |  Sep 28, 2021  |  42 comments
If you're going to spend a year-plus in COVID lockdown, it doesn't hurt to have a million dollars' worth of turntables keeping you company, right? That's been my good fortune. Sounds like a roomful, but it's only three: the SAT XD1, the TechDAS Air Force Zero, and the OMA K3 ($360,000, footnote 1).

You'll find this issue's cover girl either strikingly beautiful or homely. Visitor reactions fall strongly into one of those two camps, with nothing in between. I love the looks. Whatever your opinion, the K3's visual distinctiveness cannot be denied. The innards are equally unique.

Michael Fremer  |  Aug 31, 2021  |  7 comments
I don't like being pigeonholed as a reviewer of exclusively expensive audio components—because I'm not, as anyone who regularly peruses Analog Planet knows. So, to ease the pain of reviewing the half-million-dollar Air Force Zero turntable—you'll find that review elsehere in this issue—I figured I'd cover some more reasonably priced analog gear here in Analog Corner.
Michael Fremer  |  Jul 20, 2021  |  13 comments
Held every November in normal times, the annual Warsaw Audio Video Show is among the world's largest. I first attended a decade ago, in 2011, and was amazed by both the number of attendees—more than 10,000 people—and demographics that skewed young and included many families. That show was bigger and better-attended than any I've been to in America.
Michael Fremer  |  Jun 28, 2021  |  3 comments
First, a power update: The generator and transfer switch bypass plan has been solidified, the town permit has arrived, and the work will commence soon. I'm pretty sure what I've learned through this debacle will help other audiophiles improve both their power and their system's sound.

Now, on to this month's column: Revisiting an updated product from a small company can be a rewarding experience. For startups in our competitive, niche marketplace, just remaining in business is a challenge. Many under-capitalized startups founded by well-meaning idealists/hobbyists disappear in just a few years if not faster.

Michael Fremer  |  May 25, 2021  |  1 comments
Almost exactly a year ago to the day that I'm writing this—March 11, 2020—the WHO officially declared COVID-19 to be a pandemic. If you weren't paying attention, maybe you didn't see it coming (incredibly, some still deny the pandemic's existence), but I had already canceled a March 14, 2020, flight to Atlanta to speak to the local audiophile society. I'd made the plans for that visit at the Florida Audio Expo a few weeks earlier. Remember hi-fi shows?
Michael Fremer  |  Apr 20, 2021  |  4 comments
"I got some Audio-Technica ATLP120X turntables in the other day, which had been back ordered for maybe 6 or 7 months, so I called to see if they had more. I was told there were 17,700 of that model on back order," a dealer I know told me recently in an email.
Michael Fremer  |  Mar 30, 2021  |  14 comments
I'm waiting for a bypass.

My heart did not attack me. My arteries aren't clogged. I'm awaiting an electrical bypass to save my audio system's life.

Michael Fremer  |  Mar 01, 2021  |  57 comments
I'm an audiophile and live in North America—seems like a perfect fit for the Facebook group Audiophiles - North America, right? Wrong!

On my first visit, I noticed that a group member had asked for speaker cable suggestions. Another member posted a picture of a 100' spool of 16-gauge lamp cord costing $14, accompanied by the suggestion "This is all you need." The implication: That's all anyone needs, because cables are "snake oil.

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