Capital AudioFest 2019

Look at the photo. What you see is a re-imagining of the original Quad ESL 57s by Dave Slagle of EMIA (Experience Music Intact Audio). The only thing that remains from the original Quads are the PVC stator parts rebuilt to original standards by Wayne Picquet of Quads Unlimited in Longwood, Florida.

I saved the Overture room for last because for me and my taste, this room had the best sound at CAF 2019.

As a reviewer, I’ve been waiting to see a ModWright product that just jumped out of the deck and said, “Herb! Review me.”

On the last day of the show, loudspeaker designer Jeff Joseph showed no signs of slowing down. Remote in hand, he bounced around his room like the proverbial battery bunny, welcoming attendees, switching his rig between analog and digital playback, and generally smiling his way through it all.

Do you know why New Yorkers are always depressed? Because the light at the end of the tunnel is New Jersey.

I mentioned earlier how uncolored, detailed, transparent, and image-specific an open baffle loudspeaker can sound. Unfortunately, not all open baffle speakers are created equal, and making a coherent and musically satisfying open-baffle speaker is much more complex than just bolting a few drivers to a sheet of plywood. The question any loudspeaker designer must ask is, how far should I go? When is done right?