CES 2008

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Jason Victor Serinus  |  Jan 08, 2008  |  1 comments
Choose a door, any door. Confronted with three entirely different systems in the Norvinz room, for some reason I ignored my usual inclinations and moved to the far right. There I encountered veteran electrostatic guru Roger Sanders, formerly of Innersound, who now markets Sanders Sound Systems products online and through Norvinz.
Stephen Mejias  |  Jan 08, 2008  |  4 comments
Back home, at the end of a long day, John Atkinson will often come into my office and wish me a good evening. It's very sweet.
Wes Phillips & Jon Iverson  |  Jan 08, 2008  |  3 comments
The Replay Turntable ($3499) is Revolver's re-entry into the turntable market after a lengthy absence. It comes packaged with a Jelco tonearm although the company might eventually supply a top plate that can be drilled for any arm. It has a decoupled suspension—which is not sprung–and a large flat belt driven by an AC motor with an outboard power supply. At 50 lbs, it's no lightweight.
Jon Iverson  |  Jan 07, 2008  |  1 comments
The show has just opened its doors and Stereophile's Stephen Mejias holds the new Product of the Year awards to be handed out all day long.
Wes Phillips & Jon Iverson  |  Jan 07, 2008  |  1 comments
Sumiko had a new Pro-Ject turntable on display, the "approximately $2000" Perspex, which sports the new 9CC Evolution tonearm.
Wes Phillips & Jon Iverson  |  Jan 07, 2008  |  3 comments
Ayre's Steve Silberman was excited about the new DPS Ayre turntable. Charlie Hansen had hipped Wes Phillips to the then pending debut of the DPS Ayre back in September.
Wes Phillips & Jon Iverson  |  Jan 07, 2008  |  2 comments
"This," Quartet Marketing's Stirling Trayle proudly said, "is the T + A Music Player."
Wes Phillips & Jon Iverson  |  Jan 07, 2008  |  20 comments
It exists; we saw it for ourselves! Wadia's $349 iTransport can take the digital signal out of an iPod before the DAC, outputting 16-bit/44.1khz resolution for uncompressed files—it doesn't upconvert lower-rez files like MP3s, but it does reformat them to 16/44.1, according to Wadia's John Schaffer.
Wes Phillips & Jon Iverson  |  Jan 07, 2008  |  7 comments
We ran into SinglePower Inc.'s Mikhail Rotenberg as he was sprinting down the hall to the Synergistic Research room. "Check these out," he said. "These are a 1932 Tung Argon 4327 and a 1943 722A (323), labeled Centennial, but manufactured by Western Electric."
Wes Phillips & Jon Iverson  |  Jan 07, 2008  |  4 comments
We're stunned at how few exhibitors spend money for the larger rooms on the 35th floor of the Venetian, since they are so sonically impressive. Sumiko's room with the $28,000 SME 2012, $6000 Audio Research PH7, $10,000 Audio Research Reference 3, Audio Research Reference 210 monoblock amplifiers ($9000/each), and brand-spanking new $25,000/pair Vienna Acoustic Die Musik loudspeakers had us glued to the sweet spot.
Wes Phillips & Jon Iverson  |  Jan 07, 2008  |  0 comments
Sumiko's Norbert Schmied showed us their new upscale cartridge. "What's it called?"
Jon Iverson  |  Jan 07, 2008  |  1 comments
The ever-lovely Rosemarie Torcivia and Cynthia Fontaine, running the Stereophile room at the Venetian. They'd appreciate it if someone would bring them a decent sounding stereo to listen to. An ipod even.
Wes Phillips & Jon Iverson  |  Jan 07, 2008  |  1 comments
We were stunned to see Roger Skoff in the Ultralink/XLO room—we thought he'd retired years ago. "I did," he explained, "but I was asked to design some new stuff incorporating new technologies and more advanced versions of our existing designs."
Jon Iverson  |  Jan 07, 2008  |  0 comments
The new Wadia iTransport detailed above also comes in your choice of hot rod finishes. Well not officially, but they couldn't resist making one for the show.
Wes Phillips & Jon Iverson  |  Jan 07, 2008  |  3 comments
We'd been told to check out Boulder's new music server, but that's not exactly what the $24,000 1021 Disc Player is. It's a CD player (with a few other formats "to be announced") that uses a computer disc drive to feed a one-minute buffer to "preserve the integrity of the audio signal delivered from the drive. "Also," confided Steve Rockwell, "the clock is about this far [pinches fingers together], so jitter is phenomenally low."

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