CEDIA 2007

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Wes Phillips  |  Sep 07, 2007  |  0 comments
Billed as the "world's first audiophile music server," the MS250 contains a 400GB hard disk and a CD ripper/player, as well as "a custom sound card specifically designed for the MS250 using four Crystal CS4398, 120dB dynamic-range, 24-bit, stereo DACs, plus properly implemented power supplies and output filters, just like an Arcam CD player."
Wes Phillips  |  Sep 07, 2007  |  0 comments
ReQuest is betting there's a music server in your future, and they're working hard at eliminating any objections you might have about it. In addition to showing off their new S-series components ("S" for "serious sound"), the company introduced a host of widgets, added functions, new remotes, and the Echo, a daily-updated backup drive for your music library.
Wes Phillips  |  Sep 07, 2007  |  3 comments
We get a kick out of Paul Barton, so we wandered into PSB's room to see what's new. He was talking to a good-looking man of a certain age (ours, approximately), to whom he introduced us: it was Vance Dickason, the man who wrote the book on designing DIY loudspeakers: The Loudspeaker Design Cookbook.
Wes Phillips  |  Sep 06, 2007  |  0 comments
McIntosh has introduced a turntable. It has the classic black and blue faceplate, which looked a tad bizarre to these eyes. The platter is "polished, fully-balanced green tint," meaning glass, we presume. The tonearm and cartridge are custom-made by McIntosh. An isolated speed stabilizer drives the precision motor.
Wes Phillips  |  Sep 06, 2007  |  3 comments
Dynaudio actually had a "production prototype" of its $16,500 Sapphire 30 30th anniversary loudspeaker at CEDIA, seen here photographed by Kal Rubinson. All of the drivers are "Evidence-grade," Michael Manoussellis told us. The drivers are Dynaudio's 1.1" (28mm) soft-dome tweeter, 5.5" (15cm) MSP-cone midrange, and two 8" MSP-cone woofers. The cabinet is faceted, hence the jewel reference. It's pretty dramatic looking. Now we're slavering to hear it.
Wes Phillips  |  Sep 06, 2007  |  0 comments
Thiel was showing honest-to-God production samples of its CS3.7 ($9900/pair), which has a few cosmetic flourishes I hadn't noticed the times I spotted prototypes at earlier Shows. I could be wrong, but that aluminum cowling looks better-integrated with the body than I recall.
Wes Phillips  |  Sep 06, 2007  |  1 comments
Lyngdorf was showing a $16,800 system that incorporated its RoomPerfect digital room correction system, which creates an EQ curve based on measurements taken in seven positions. The result is said to be a sweet spot that is spot-on in one position and "extremely fine" for up to eight target positions.
Wes Phillips  |  Sep 06, 2007  |  0 comments
I stuck my head in Joseph Audio's room and asked, "What's new?"
Wes Phillips  |  Sep 06, 2007  |  0 comments
What Mirage did display for real was the OM-28, their $7500/pair floorstander that boasts a real-size omnipolar titanium-dome tweeter, a 5.25" carbon-fiber midrange driver, and two 8" carbon-fiber woofers. The cabinet is ported with down-firing vents.
Wes Phillips  |  Sep 06, 2007  |  1 comments
Mirage had a 36" mock-up of their omnipolar tweeter array on the wall, photographed here by Kalman Rubinson. A lot of people (well, me) thought it was real.
Wes Phillips  |  Sep 06, 2007  |  9 comments
I saw it from a distance, spotlit and turning on a turntable. It was curved and sensuous, with its deep red flanks casting off highlights. I glanced up at the brandname and saw . . . Klipsch.
Wes Phillips  |  Sep 06, 2007  |  0 comments
My bus was early, so I almost missed it. I sprained my ankle on Monday, so I can barely hobble down the aisles. Denver is humid. CEDIA is an A/V show. Bitch, bitch, bitch.
CEDIA 2007  |  Sep 04, 2007  |  0 comments
Stay tuned for live reports from Denver.

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