HE 2007

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Stephen Mejias  |  May 14, 2007  |  0 comments
Lukas Lipinski was happy to present his L-707 speakers ($4990/pair) on special stands which discreetly house the 300Wpc L-301 monoblocks ($6000/pair). Keeping the amps close to the speakers allows for shorter cable runs, and, of course, is a clever space-saving idea. The amps slide vertically into the stands and are held in place by small screws on the back panel. The amps' glass front panel bears the Lipinski logo and can be illuminated.
Wes Phillips  |  May 14, 2007  |  2 comments
I always seek out Wilson Audio's room at the HE shows. Is it because Wilson always gets great sound? It does—but, as the big dog on the block, they probably don't have to attend. The company supports the high-end community, not just by showing up, but by sending Peter McGrath and his fabulous recordings.
John Atkinson  |  May 14, 2007  |  2 comments
The program of seminars and workshops has been an important part of the Home Entertainment Show since its inception in 1987. For the past few years, Sunday afternoon has been the time for Stereophile Senior Editor Michael Fremer's guide to getting the best from LP playback. At this year's action-packed session, he showed a packed house to how to mount and align a phono cartridge on a VPI turntable, aided with close-up video help from Dave of Show contractor Moorea Marketing.
Wes Phillips  |  May 14, 2007  |  1 comments
Larry Greenhill has already blogged about how good the Escalante Fremonts sounded in the Sound By Singer room Escalante shared with VTL. They did a disappearing act that would have done David Blaine proud. I was so impressed, I came back for a second visit and came away even more impressed—not just with the Fremonts, but with the VTL/dCS system that enabled them to sing like they did.
Wes Phillips  |  May 14, 2007  |  0 comments
Allen Perkins absolutely owned "A Night in Tunisia."
Wes Phillips  |  May 14, 2007  |  0 comments
Stereophile hired good friend (and talented artist) Jeff Wong to cover HE2007 in his inimitable style. Jeff's three-page hand-drawn impression of the show will appear in the August issue.
Wes Phillips  |  May 14, 2007  |  0 comments
Signals-SuperFi's Chris Sommovigo poses with the new Continuum Criterion turntable and Copperhead Tonearm ($51,500). Well, he is the importer, after all. However, he is also the designer and manufacturer of Stereovox cables, and he had new AC cables, speaker cables, and interconnects to tout— Dragon AC ($3500), Dragon speaker ($11,000/pair), and Dragon interconnect (tbd). Why didn't he pose with his stuff?
Wes Phillips  |  May 14, 2007  |  5 comments
"Have you heard the little Ushers?" I was asked Friday. "Have you heard the little Ushers?" I was asked repeatedly on Saturday.
Larry Greenhill  |  May 14, 2007  |  3 comments
"That's an impressive soundstage for a two-way monitor," I thought looking at the diminutive Confidence C1 loudspeaker, but hearing a wide, deep soundstage. Dynaudio's 25 lb pound, two-way ($7000/pair plus $450/pair for two) features a 7" woofer and the Danish company's acclaimed Esotar2, 28mm, soft-dome tweeter. The drivers are mounted on a baffle that is said to be decoupled from the cabinet. Dynamic range was superb driven by Simaudio Moon W-7M monoblocks, thought JA, who thought that this system's reproduction of Stereophile's new Attention Screen CD was one of the best he heard at the Show.
Stephen Mejias  |  May 14, 2007  |  2 comments
Several of Stereophile's editors were excited about the compact and inexpensive Audioengine 5 amplified speakers ($349/pair), which were bringing forth some sweet sounds playing files directly from a laptop. New to the Audioengine line is the tiny 2 (seen here, $199/pair), which offered a sound surprisingly similar to that of its bigger brother. The music was clean and clear, and conveyed an emotion that belied the speaker's size. Like the A5, the A2 keeps all of its electronics in the left speaker but, unlike the A5, it uses a front slot port for bass performance.
Larry Greenhill  |  May 14, 2007  |  0 comments
Todd Eichenbaum, design engineer at Krell, walked me through the design of their new amplifier, the $10,500, 300Wpc 302. The power supply employs a 3kVA toroidal transformer, built-in power conditioning, a current-mirror input stage, a push-pull driver stage, and low negative feedback (8dB) around the output stage. It was paired with the $10,000 Evolution 222 stereo preamplifier.
Wes Phillips  |  May 14, 2007  |  0 comments
Well, few people have. In a stunning collaborative effort, Rives Audio, RPG, Modex, Talon, VAC, Wadia, XLO, and Silent Running set up two rooms designed to demonstrate that even the best audio components need a little help from intelligently applied digital EQ and room treatment. Two rooms, almost mirror images of one another, with essentially the same system—only one room used EQ and treatment and the other didn't. Here's the system rundown: Wadia 581i disc player ($9450), 100Wpc VAC Alpha integrated amplifier ($10,000), Talon Thunderhawk loudspeakers ($25,000/pair), XLO Signature 2 interconnects ($00/m). XLO Signature 2 speaker cable ($2700/2m), XLO Argentum XP3 power conditioner ($600), and Silent Running Craz Reference isoRACK ($6000, as configured here).
Wes Phillips  |  May 14, 2007  |  2 comments
As you can see from Larry Greenhill's photo, Chord's RED Reference CD player ($28,500) is one sexy piece of kit. The gleaming metalwork, the sturdy clamshell clamp, its swooping lines—it's just gizmoidally drool-worthy.