At the Las Vegas Convention Center, Dynaudio was showing—and playing—its new self-powered MC15 mini speakers. In three setups, they were connected to a laptop, a gaming console and an iPod dock, each setup clearly indicating that its high quality sound was an improvement over the usual powered computer speakers. Sporting a 6" woofer, an Esotec soft-dome tweeter (with 1st-order crossover at 1.5kHz), and a pair of 50W amps, this $1299/pair package, including elegant table mount, would be even more suitable as the basis of a deskop system with a good disc player.
Erstwhile Stereophile scribe Jonathan Scull, now firmly established in the worlds of public relations and marketing, conducted an in-room presentation of new Furutech products including an LP flattener, an LP demagnetizer and, with especial relish shown in the picture, an LP degausser. Also, shown were some beautiful AC receptacles and <$100 power cords with various connectors. Beautiful stuff.
The SignalPath suite at the Mirage featured the company's Era speakers and Musical Fidelity electronics—but wait! What's that sitting on top of the kW250 integrated amplifier? It's a laptop!
Every CES has its impressive, cost-no-object audio systems, but one of the better sounds I heard at the Show, in terms of superb vocal articulation and an excellent overall balance, came fron a relatively affordable system in the Avalon suite in the Aladdin Hotel. Based on the Colorado company's new NP2.0 two-way towers ($1995/pair), which feature two Kevlar-cone woofers and Avalon's proprietary composite-dome tweeter, driven by an Ayre Acoustics AX7 integrated amp and a Cary CD306 player, the system showed that you don't have to drop megabux on a system to get musically satisfying sound.
In my opinion, the relation between speaker size and performance tends to be a curvilinear one: performance improves with size up to a point (assuming good design), but when speakers are really big they’re often disappointing, sounding merely "impressive" but not natural. I’m always delighted, therefore, to find an exception to this rule, and that was the case with the PBN Audio Montana Master Reference speakers at the outboarding THE Show at the San Tropez Resort. These speakers are 84" tall, weigh 500 lbs, and feature two 18” subwoofers, two 10" woofers, two 5.25" midrange units, and one 1.125" tweeter. Demoed by PBN President/Designer Peter Noerbaek and Vice-President Patty Noerbaek, these speakers, driven by PBN's own amplifiers, sounded impressive and natural. The price is $65,000/pair, but you do get a lot of speaker for the money. Peter Noerbaek says they sold four pairs last year—to people with baronial homes, I’m sure.
Divergent Technologies’ Tash Goka introduced a new top speaker in the Reference 3A line: the Grand Veena ($7500/pair), which, in addition to two woofers, a midrange and a tweeter, also has a Murata supertweeter that covers the range from 20kHz to 100kHz. The sonic contribution of the supertweeter is acknowledged to be "not easily detectable by conventional means," but is said to improve the speaker’s spatial quality and have positive effects outside of its nominal operating range. The Grand Veenas sounded mighty nice driven by Antique Sound Labs' new Cadenza amps ($6500/pair).
The Australian Ambience Reference 1800 ribbon hybrid loudspeakers ($13,995) use ribbons of their own design, combined with a vented bass section. The cabinet is sleek, with a narrowing toward the top. I quite enjoyed listening to these speakers, and, ever on the lookout for a cost-effective components, I was impressed by the fact that they were being driven by relatively inexpensive Vincent electronics (SAT-1 preamp, $1495, SAT-100 monoblock power amps, $2495/pair). Designer Tony Moore was on hand to demo the speakers.
All GamuT speakers sport a ring-radiator tweeter. The pointy thing in the middle is a metal waveguide—the perfect defense against little children poking in the tweeter dome.
The very first room I visited at CES featured VTL and dCS electronics powering Avalon Eidelon speakers via Transparent cabling. This was a good start. I had become an instant convert to VTL sound at HE2006 last May, where Wilson Sophia speakers, driven by VTL electronics via Cardas cable and a Jadis tranposrt and DAC delivered some of the best sound I heard at the show. Since then, I've heard VTL gear in three other environments, this being the fifth. Each time, it has sounded different, but always musical.
Zanden's Kazutoshi Yamada builds amplifiers like Medieval villages built cathedrals: To glorify the quintessence. Jon Iverson and I were lured into his room because his Model 9600s were so . . . shiny (hey, we're guys, we're not complicated). Then we heard 'em driving the Ascendo System Z-F3 loudspeakers. Wowsers.
Ypsilon Electronics was a new name to me, so I wasn't sure what Jon Iverson and I would see when we entered its room. Whatever we expected, it wasn't the ginormous hybrid SET-100 monoblock amplifiers ($69,000/pair).