Wes Phillips

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Never Use the Word "Very"

I grew up on the works of Franklin W. Dixon and Victor Appleton II, which is to say the Hardy Boys and Tom Swift, Jr., as they appeared in the early 1960s. I've had the same disillusioning experience as Gene Weingarten—except that I also devoured the original 1930s versions when I discovered the pulps collection at Alderman Library at UVA.


Tyger

Brazil's Guilherme Marcondes shows the big studios how to make animation interesting. Tyger mixes puppetry, illustration, photography, and CGI together to create something that Neil Gaiman describes as "like something I dreamed as a boy." When you start channelling Gaiman's dreams, you're in serious territory.


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