Stephen Mejias

The September 2011 issue of Stereophile is now on newsstands. On the cover, we feature Oppo’s latest universal disc player, the BDP-95: It slices, it dices, it plays everything and sounds great. In his review, Kal Rubinson installs the BDP-95 in his Manhattan apartment where he compares its two-channel output against that of the Sony SCD-XA5400ES, then he takes the Oppo to his Connecticut home and compares its analog multichannel output against that of Oppo’s earlier BDP-83SE. He comes up with some interesting conclusions.

Also in this issue:

Mirror Mirror, the third album from Glasgow band Sons & Daughters, opens with a single note from a vintage synth. Barely audible at first, it grows and grows and rises vertically in the soundstage&#151for 15 seconds it grows: a sharp white light in an otherwise dark room&#151building tension, warning of some sort of danger, as it goes. This high-pitched note is met first by stomping feet, then by clapping hands&#151single file and far, far off, but growing in size and intensity&#151before finally being joined by the voices of Adele Bethel and Scott Paterson, singing, strangely singing, barely singing at all, more chanting, intoning, repeating, casting:

On the first day of the California Audio Show, I heard some of the most beautiful music in a room hosted by Acoustic Analysis, The Tape Project, and Bottlehead, featuring a system made of Focal Diablo Utopia loudspeakers, Focal SW1000 Be subwoofers, a VTL TL-6.5 Signature line preamp and MB-450 Signature III monoblock power amplifiers, Siltech cables, and a Bottlehead-modified Otari tape machine. The music had such a smooth, effortless quality to it, unlike anything else I heard at the show: The sound of tape. It was an awesome listening experience.

On the following evening, I got to visit the mastering studio where the team from The Tape Project does its work.

This is absolutely outstanding. Please watch and listen as sound expert Julian Treasure offers strategies for re-tuning our ears.

Via TED. (Thanks for the link, SP.)

I don’t really know what to say about this, so I’ll just quote the press release:

The role of an High End amplifier is to reproduce the music, all the music.

Amateur of beautiful often unique parts, GoldAmp is the Only One. An exceptional musical know-how. Celebrate interpreter who knows how to be forgot. A magnificent story which can be told by moments of complicity in the emotion. Reunion with classicals works henceforth dear to our hearts.

I’ve listened to no album this year more than I’ve listened to Wild Beasts’ Smother. For that matter, I’ve enjoyed no album more this year than Wild Beasts’ Smother. It courses slowly and deliberately through colors and moods of pain, longing, love, and desire&#151all that good stuff&#151and it does so with such a gentle touch, a delicious smoothness, a constant, lulling pulse.

It pours from your loudspeakers and into the room.

I went to Other Music yesterday and picked up a few records: