Wes Phillips

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The Big Carnival (Ace In The Hole)

Mark Evanier's News">http://www.newsfromme.com/archives/2007_01_21.html#012795">News From ME points us to Wednesday's TCM broadcast of Billy Wilder's The Big Carnival. Why should you care? It's about as cynical a meditation on media manipulation as you're likely to see—and it is rarely shown. Paramount hated it (and its floppo status) so much that it deducted its Big Carnival losses from Wilder's Stalag 17 profits.

The Biology of B-Movie Monsters

Being big isn't simple. "Absolute size cannot be treated in isolation; size per se affects almost every aspect of an organism's biology. Indeed, the effects of size on biology are sufficiently pervasive and the study of these effects sufficiently rich in biological insight that the field has earned a name of its own: 'scaling.'"

The Birth of the Album Cover

In the dawn of the record era, album covers were based on the covers of photographic albums. Then Alex Steinweiss proposed to Columbia that it "embellish the 78 RPM record albums (covers) with original artwork (drawings and paintings)." An art form—and an industry—was born.

The Boy Who Cried Freebird

Mitch Myers' book, The Boy Who Cried Freebird:
Rock and Roll Fables and Sonic Storytelling
, is a lovely thing. He mixes essays, short stories, tall tales, and interviews about rock to get to the core of what it is to be a music geek. "Don't compare me to that guy in High Fidelity," he says. "That dude wasted all his time organizing his collection in some kind of chronological order—everybody knows that you should file your albums by genre."

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