Now on Newsstands: Stereophile, Vol.34 No.9
The September 2011 issue of Stereophile is now on newsstands. On the cover, we feature Oppo’s latest universal disc player, the BDP-95: It slices, it dices, it plays everything and sounds great. In his review, Kal Rubinson installs the BDP-95 in his Manhattan apartment where he compares its two-channel output against that of the Sony SCD-XA5400ES, then he takes the Oppo to his Connecticut home and compares its analog multichannel output against that of Oppo’s earlier BDP-83SE. He comes up with some interesting conclusions.
Also in this issue:
Now on Newsstands: Stereophile, Vol.35 No.1
Happy New Year! The January 2012 issue of Stereophile is now on newsstands. In this issue, you’ll find in-depth reviews of loudspeakers from TAD, Sonus Faber, Nola, and Dynaudio; amplification components from Sutherland, Fi, and Anthem; D/A processors from Weiss, Bel Canto, dCS, and Musical Fidelity; power conditioning from Audience, AudioQuest, and Shunyata; and CD players from Emotiva and Sony.
Plus:
Now on Newsstands: Stereophile, Vol.37 No.3
Here's a little something to warm your hearts: The March 2014 issue of Stereophile is now on newsstands, and it's a very special issue, indeed. Inside, you'll find that our editor, John Atkinson, has fallen in love with a new pair of headphones. Has the sexy Audeze LCD-X seduced him away from his old, beloved Sennheiser HD650?
Of course, there's more.
Now on Newsstands: Stereophile, Vol.37 No.4
The April 2014 issue of Stereophile is now on newsstands. Inside, you’ll find 35 pages of “Recommended Components,” our handy guide to today’s best audio products, covering categories including: Turntables, Tonearms, Phono Cartridges, Phono Preamplifiers, Media Players, Digital Processors, Loudspeakers, Amplifiers, Preamplifiers, Integrated Amplifiers, and Headphones.
Our cover model is the extraordinary Vivid Audio Giya G3 loudspeaker. Is there room in John Atkinson’s heart for another loudspeaker? My guess is yes, but where exactly does the Giya G3 rank among the countless other contenders that have spent time in JA’s listening room? Other products reviewed in this month’s issue include:
Now You Have A Choice
In their neverending quest to damn my life, Bose is now sending me credit cards. I walked into my beautiful apartment, the sun having already set, threw this and all the other junk mail down onto the kitchen table, and grabbed a beer.
Nuances
It would have been a very sad story. Having diligently packed the Ayre units and sent them off to lofty Boulder, I was left with empty space. I considered bringing the old Magnavox down from the closet. Luckily, I'd done a bad job of returning the Musical Fidelity A3.5 integrated amp and CD player. Reuniting them with the DeVore gibbon 3 loudspeakers was enlightening.
Number 139
Light In The Attic's lovely re-issue of Rodriguez's Cold Fact is limited to 1000 vinyl copies. Mine is number 139!
Number Three
Oh yeah: Matador's">http://www.matadorrecords.com/matablog/2009/12/09/this-christmas-just-g… having a holiday sale.
Numbers, Percentages, and Cold Fact
The music industry is responding to our recent enthusiasm for vinyl, reports">http://www.latimes.com/entertainment/news/business/la-et-vinyl18-2008au… the Los Angeles Times. Original Recordings Group, a small vinyl-only label, needed only 24 hours to sell 4000 copies of TV on the Radio's excellent Return To Cookie Mountain. The label is on the way to grossing their first million dollars, and expects to double its vinyl output in 2009. Meanwhile, Warner Bros. has increased their vinyl production from 2000 copies per title to up to 15,000 copies. Such increases, of course, have a dramatic impact on pressing plants. Record Technology Inc's average pressing per title has doubled to 3000 units over the last few years.
Nuojuva: Valot Kaukaa
On Valot Kaukaa, Finnish producer Olli Aarni, working as Nuojuva, creates a strange, romantic world of sound. We hear wind and birdsong; crackle and hiss; hints of familiar classical pieces; cello, flute, and violin; whispers and sighs from Rachel Evans of Motion Sickness of Time Travel; and the lovely piano work of Sophie Hutchings, whose 2010 album, Becalmed, was one of my 2011 “Records to Die For.”