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Running counter to the music industry's paranoia concerning the perils of modern digital technology, some musicians want you to share their music—within limits. GarageBand.comhttp://www.garageband.com">GarageBand.com;, which bills itself as "the world's largest musician community," announced June 7 that it now offers the Creative Commons Music Sharing License as an optional tag for all songs uploaded to its website.

Somebody Let Them Know It's Not Quite Set Yet . . .

In anticipation of the upcoming 1.0 DVD-Audio specification (see previous">http://www.stereophile.com/news/10236/">previous article), Sonic">http://www.sonic.com/">Sonic Solutions and Warner">http://www.warnerbros.com/frame_moz3_day.html">Warner Music Group wasted no time in announcing their intent to collaborate in creating new multichannel high-density recordings to showcase the new format. Warner was one of the first major labels to deliver music via CD, and Warner's video division has never been shy in their support of Open-DVD for video. So it comes as no surprise that they're one of the first major music houses out of the gate for the audio version of DVD.

Sometimes Shorter is Better

In a move that it says is designed to position it for "continued growth and leadership in the consumer electronics field," the Consumer Electronics Manufacturers Association (CEMA) unveiled last week its new incarnation: the Consumer">http://www.cemacity.org">Consumer Electronics Association (CEA). The announcement comes on the heels of a decision, made earlier this week by the Board of Governors of the Electronic Industries Alliance (EIA), to allow separate incorporation for its sector associations.

Sonic Boom

When it comes to dynamic range, it's the little things that count. As Texas">http://www.ti.com">Texas Instruments explains, "Dynamic range is a parameter that expresses numerically how accurately sounds of small amplitude can be reproduced without distortion." In other words, the higher the dynamic range, the higher the quality of the sound, especially at low levels.

Sonic Breakthrough Claimed by North American Products

The object of the audio game, as Stereophile founder J. Gordon Holt put it, is "to re-create original acoustic events as accurately as possible." That goal has driven engineers to extraordinary lengths, improving every link in the recording and playback chain. Most such improvements are incremental, but their cumulative effect is the sometimes astounding level of sonic realism available today from even moderately priced equipment.

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