We got Albert Von Schweikert to stop talking about measurement techniques long enough to pose with the '5 SEs.
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Von Schweikert Audio's VR-5 SEs ($25,000/pair) aren't new, but once again they impressed Jon Iverson and me with their verve and natural presentation of acoustic guitar. Nils Lofgren's "Keith Don't Go" kept us nailed to our seats for the whole 12 minutes—which, in CES Show mode, is equivalent to seven human years.
"Let's face it," Neosonik's Ted Feldman said, "wires are a hassle—nobody really wants to clutter up their homes with the darn stuff. I know eliminating wires has always been a dream of mine."
So how does that work?
A Neosonik system would consist of an NS-100 wireless A/V controller ($1999) and the appropriate number of Neosonik loudspeakers—Jon Iverson and I heard a system containing a pair of Neosonik Series 6 Tower loudspeakers ($2499/each). The NS-100 takes the digital signal from any digital source and transmits it encrypted and uncompressed to the Neonik loudspeaker,…
Ray Kimber's isoMike demonstrations always deliver some of the most natural sound of any show he attends—and CES 2007 was no exception.
When Jon Iverson and I first entered the room, we thought that Kimber was concealing small loudspeakers behind large fabric scrims, then the nickel dropped. "Those are Sound Lab Prostats!" I exclaimed. Eight of them, actually—four pairs of Prostat 922s wired in parallel.
The Prostat 922 might not be the best loudspeaker for smaller rooms—and, like many electrostats, listener placement is crucial for stereo holography—but might be the most…
Ypsilon Electronics was a new name to me, so I wasn't sure what Jon Iverson and I would see when we entered its room. Whatever we expected, it wasn't the ginormous hybrid SET-100 monoblock amplifiers ($69,000/pair).
Ypsilon believes that single-ended is better, so the 120W SET-100 is a hybrid single-ended power amplifier. It uses 8830 tubes in the input stage.
Ypsilon has been in business in Greece for about 15 years, but this is the first time it has shown its wares in the US. The $69,000 price actually, was quoted as "€53,000, tax included." Shipping is not, presumably.…
It seemed that I'd been walking for days when I finally made it to the Infinity suite at the Las Vegas Hilton. Around the Convention Center, into barbeques and onto concert stages, across a parade of shuttle buses, by a dude playing Guitar Center solos while plugged into a Volkswagon, over a skywalk, through a glowing, buzzing, smoking casino (of course), and aboard a crowded elevator, I finally made it. Made it! To Infinity's "Responsible Sound" exhibit.
I had my fingers crossed, hoping to see and hear some finished project, some Green Speaker with Organic Sound,…
In my opinion, the relation between speaker size and performance tends to be a curvilinear one: performance improves with size up to a point (assuming good design), but when speakers are really big they’re often disappointing, sounding merely "impressive" but not natural. I’m always delighted, therefore, to find an exception to this rule, and that was the case with the PBN Audio Montana Master Reference speakers at the outboarding THE Show at the San Tropez Resort. These speakers are 84" tall, weigh 500 lbs, and feature two 18” subwoofers, two 10" woofers, two 5.25" midrange units, and…
Canadian manufacturer Simaudio is on a roll, with product introductions at just about every CES and Home Entertainment Show. This time, it was the Moon P5.3 preamplifier ($3500), with numerous "trickle-down" design features from the flagship Moon P7 and P8, and the Moon W5.3 amplifier (150Wpc, $4800). I managed to catch VP Marketing Lionel Goodfield with a less-serious-than-usual expression by telling him to imagine that they got a letter from Best Buy, saying that they want to carry the high-end Simaudio brand in all their stores and will pay full retail price just to have this…
Erstwhile Stereophile scribe Jonathan Scull, now firmly established in the worlds of public relations and marketing, conducted an in-room presentation of new Furutech products including an LP flattener, an LP demagnetizer and, with especial relish shown in the picture, an LP degausser. Also, shown were some beautiful AC receptacles and <$100 power cords with various connectors. Beautiful stuff.
Every CES has its impressive, cost-no-object audio systems, but one of the better sounds I heard at the Show, in terms of superb vocal articulation and an excellent overall balance, came fron a relatively affordable system in the Avalon suite in the Aladdin Hotel. Based on the Colorado company's new NP2.0 two-way towers ($1995/pair), which feature two Kevlar-cone woofers and Avalon's proprietary composite-dome tweeter, driven by an Ayre Acoustics AX7 integrated amp and a Cary CD306 player, the system showed that you don't have to drop megabux on a system to get musically satisfying…
The Australian Ambience Reference 1800 ribbon hybrid loudspeakers ($13,995) use ribbons of their own design, combined with a vented bass section. The cabinet is sleek, with a narrowing toward the top. I quite enjoyed listening to these speakers, and, ever on the lookout for a cost-effective components, I was impressed by the fact that they were being driven by relatively inexpensive Vincent electronics (SAT-1 preamp, $1495, SAT-100 monoblock power amps, $2495/pair). Designer Tony Moore was on hand to demo the speakers.