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Elvis Presley: The Home Recordings
RCA 67676-2 (CD). 1999. Dennis Ferrante, Lene Reidel, dig. engs. AAD? TT: 49:22

Elvis is Back!
RCA 67737-2 (CD). 1960/1999. Bill Porter, orig. eng. AAD? TT: 48:12

Such a Night: Essential Elvis, Vol.6
RCA 67840-2 (CD). 2000. Bill Porter, orig. eng. AAD? TT: 53:24

Tiger Man
RCA 67611-2 (CD). 1999. Dennis Ferrante, mix, mastering; Al Pachucki, Mike Moran, Dick Baxter, Tom Brown, Ron Olson, orig. engs. AAD? TT: 50:09

Tomorrow is a Long Time
RCA 67740-2 (CD). 1999. Felton Jarvis, orig. prod…

People who don't know any better than to write record reviews for a living have been stringing together words like "folk-punk-patty-smith-tori-amos-with-a-safety-pin-through-her-nipple" to describe PJ Harvey, the woman and the group, whose first album Dry is. It's all true as far as such market nichespeak goes, but it doesn't tell you that this is a band and a person with a lot to say if you can figure out the words, and almost as much even if you can't. (I…

Sear Sound's clientele runs the gamut, from…

Sear: Starting around 1980, it started slipping away; we forgot what it's all about. The engineers had all of these new knobs and toys, so they were distracted. Either through ignorance or necessity, recording has become a separate art, no longer related to music. We further lost it when CDs came in 20 years ago and the audience stopped listening.

Guttenberg: Tell it, Brother Sear!

Sear: There's a big commercial juggernaut plowing through the industry—and killing it. The traditions should be passed down through the…

Then I met Hansen. In person, Hansen resembles nothing so much as Mr. Mxyztplk, the mischievous imp from the fifth dimension in the Superman comics—and, like that little pixie, Hansen tends to chortle maniacally as he throws out his barbed…

Some good stuff, obviously, such as Immersion (DVD-A, Starkland 2010), a collection of short avant-garde works that includes compositions by Meredith Monk and Pauline Oliveros. The Monk piece consists of layered voices that float in their acoustic with…

Description: Universal digital disc player with remote control and two user-selectable digital filter settings. Analog outputs: 1 pair unbalanced (RCA), 1 pair balanced (XLR). Digital outputs: 1 AES/EBU (XLR). Maximum output level: 4.1V RMS at 1kHz (balanced), 2.05V RMS (unbalanced), CD/DVD; 2V at 1kHz (balanced), 1V RMS (unbalanced), SACD. Frequency ranges: DC–20kHz at 44.1kHz sample rate, 0–22kHz at 48kHz, DC–40kHz at 88.2kHz, 0–44kHz at 96kHz, 0–80kHz at 176kHz, DC–88kHz at 192kHz, DC–100kHz at 2.8224MHz. Power consumption: 60W.
Dimensions: 17.25" (440mm…

Digital Source: Linn Unidisk SC universal player.
Preamplifiers: Ayre K-5xe, Conrad-Johnson ACT2.
Power Amplifiers: Ayre V-5xe, Coda S5.
Loudspeakers: Canton Vento 802 DC, Dynaudio Special 25, Thiel CS1.6.
Cables: Interconnect: Cardas Audio Golden Reference, Shunyata Research Aries. Speaker: Cardas Audio Golden Reference, Shunyata Research Lyra. AC: Cardas Audio Golden Reference, Shunyata Research Anaconda.
Accessories: Shunyata Research Hydra AC power-distribution system; Solid-Tech Rack of Silence equipment stand, Feet of Silence &…

The Ayre C-5xe's maximum output level at 1kHz was the same for both CD and DVD-Audio LPCM data—4.16V from the balanced XLR jacks, 2.103V from the unbalanced RCA jacks—but just under half that figure for SACD playback: 1.95V and 970mV, respectively, measured using Sony's "provisional" Test SACD. Unless compensated for, this difference in level will obscure any differences heard in comparisons of the different media. Both sets of outputs preserved absolute polarity—ie, were noninverting—with all three media, and the XLRs are wired with pin 2 positive, the AES…