"It was a big year, man," Earle says. "A lot of stuff happened in 1967. My uncle, who was five years older than me, was living with us at the time. It was my dream come true, because he was always my hero. He brought a lot of records into the house, like Cream's Disraeli Gears and the…
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Earle: Well, duh, "Mr. Bojangles"! [Laughs.] That was the one I had to just not fuck up! (footnote 4) That song is so important. I played it at the Opry. I looked up halfway through, and every cell phone light in the balcony was lit. By the time I finished it, every light in the house was lit, so I think it went over well.
I talked with Susan (footnote 5) about this. I said, "All I know about this record so far is I have to cut 'Mr. Bojangles,' and I'm not gonna pussy out on it. I'm…
Lately, I've been thinking again about a concept I've thought about off and on for years: first impressions of a component versus lingering, meaningful differences.
We've all had the experience: Replace a familiar component with a new one, let it warm up, then listen. You hear differences, often dramatic ones. (Not always, though: A couple of years ago, I compared two DACs of similar price and design, switching back and forth between them, and could hear no difference at all.)
What's interesting is…
I might have ignored it completely if not for Keith Pray, Stereophile's general manager. Keith lives in Westchester County, not far from the school in question, and has kids in a…
D-Tox Records (Multiple formats; auditioned as 16/44.1 stream). 2022. Howard Jones, prod.; Robbie Bronnimann, eng.
Performance ****½
Sonics ****½
Howard Jones has always come across as an endearing blend of mad scientist and hopeless romantic. Since his 1983 debut single, "New Song," he has blended obsessive technical detail with extreme emotionality. His newest album, Dialogue, is the latest example of this approach, in which intricate structures of synthesized sound grow into musical mountains supporting impassioned lyrics.
Dialogue is the…
For his FollowUp, Jim Austin compared the tubed Audio Research Reference 6SE ($18,000) with the solid state Pass Labs XP-32 ($18,375). "I wanted to experience the differences in the short term and then take note of how those differences panned out over time," he wrote. His conclusion? "These two preamps are zeroing in on the same sound from opposite directions. I…
Within each category, products are listed by class; within each class, they're in alphabetical order, followed by their price, a review synopsis, and a note indicating the issues in which the review, and any subsequent follow-up reports, appeared. "Vol.45 No.6" indicates our June 2022 issue, for example. "WWW" means the review is also posted online.
Stereophile's Recommended Components list is concerned mainly with products available in the US…
The classes each cover a wide range of performance. Carefully read our descriptions here, the original reviews, and (heaven forbid) reviews in other magazines to put together a short list of components to choose from. Evaluate your room, your source material and front-end(s), your speakers, and your tastes. With luck, you may come up with a selection to audition at your favorite dealer(s). "Recommended Components" will not tell you what to buy any more than Consumer Reports would presume to tell you whom to marry!
CLASS A
Best attainable sound for a…
A+
J.Sikora Reference: $47,000 w/o tonearm
This Polish company's top-of-the-line turntable is a nonsuspended, high-mass design, weighing 253lb. The dynamically and statically balanced platter alone weighs 40lb! Drive is with four square belts spun by four Papst DC motors. MF found that the plinth was immune to knuckle raps and motor start-up noises and wrote that the Reference was very quiet. He decided that this J.Sikora 'table had been superbly tuned to extract deep, well-controlled bass free of overhang or excess. The measured speed accuracy was impressive, as…
A+
SAT CF1-09: €55,000 ★
SAT CF1-12: €58,000 ★
In 2018, after selling 70 of his original Swedish Analog Technologies Tonearms, designer Marc Gomez discontinued it and replaced it with two new tonearms. The more expensive, the CF1-09, is now the company's flagship. The CF1-09's tapered, hand-lapped, "naked"-carbon-fiber armtube has an effective length of 9" and incorporates a number of parts machined from solid stainless steel—including a new vertical bearing yoke that's far more massive than that of the original SAT arm and makes the CF1-09 too heavy for…