Digital sources: dCS Rossini SACD/CD transport, Rossini DAC, and Rossini Clock; Synology 5-bay 1019+ NAS, Roon Nucleus+ music server, Small Green Computer Sonore opticalModules (2) and Deluxe opticalModule, Uptone Audio EtherRegen with AfterDark Giesemann Emperor Double Crown Master Clock, Linksys routers (2), and Arris modem, all powered by HDPlex 300 four-component linear power supplies (3) and HDPlex 200 LPS; Apple 2017 iPad Pro and 2017 Macbook Pro laptop with 2.8GHz Intel i7, SSD, 16GB RAM.
Preamplifiers: Dan D'Agostino Momentum HD, darTZeel NHB-…
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Sidebar 2: Associated Equipment
Sidebar 3: Measurements
I measured the darTZeel NHB-108 model two with my Audio Precision SYS2722 system—see the January 2008 As We See It. I performed the measurements using the balanced (XLR) and single-ended (RCA) inputs and left the internal jumpers as they had been set. To avoid triggering the amplifier's protection circuitry, I turned it off before changing the inputs during the measurements. (The amplifier took a relatively long time to stop passing signal when turned off, which implies that the power supply has a lot of capacitance.) Before starting the testing, I followed the…
Today's audio distributors have their hands full, now more than ever. As I've discussed previously in this space, COVID-related failures in the global supply chain and related, large increases in the cost of freight have impacted audio just like most other industries.
Now more than ever, companies rely on solid partnerships to carry them through. But which partners should they choose?
How do distributors decide which manufacturers to partner with, and vice versa?
I spoke with several distributors, asking how they connect with international manufacturers. How do they…
If you've ever read Homer's Iliad, you probably remember the Catalog of Ships at the beginning. It's an exhaustive record of the contingents the Achean army deployed against Troy, naming the commanders, their hometowns, the number of ships in each contingent, and more. Not to put too fine a point on it, it's a snoozefest. It makes you dread what's next. But of course, if you come to this point only to abandon the Iliad in frustration, you'll miss the fabulous war epic that follows, chockablock with action, drama, and romance.
For me, the MayFly MF-201A speakers were a bit like that: a…
When I resumed listening a couple of days later, I focused on what I liked rather than what I didn't, and the picture brightened considerably. The 201s' imaging and soundstaging are impressive. Music filled the room in an enveloping way, 3D-like, instead of hanging in the space between the speakers.
An excellent recording to judge soundstage width is Steely Dan's "Hey Nineteen," from Gaucho (24/96 FLAC, Qobuz). On speakers that image like champs, the guitar will appear two-plus feet outside the far boundary of the left cabinet, and that's where the MayFlys placed it with…
Sidebar 1: Specifications
Description: Two-way, stand-mounted bass-reflex loudspeaker with internal skyline diffusers, front-firing slotted bass port. Drive unit: Coaxial, with 26mm treated–fabric-dome tweeter, 180mm clear polypropylene-cone midrange/bass driver with reverse-roll rubber surround and 850gm ceramic magnet. Symmetric two-pole crossover. Crossover frequency: 2.9kHz. Binding posts: gold-plated copper. Frequency range: 40Hz–20kHz. Nominal impedance: 8 ohms. Sensitivity: 88dB/W/m. Recommended amplifier power: 40–100W.
Dimensions: 20.5" (520mm) H × 12" (300mm) W × 10.6" (…
Sidebar 2: Associated Equipment
Digital sources: Naim Uniti Atom controlled through iPad Pro. 2021 16" MacBook Pro with M1 Max processor, running Audirvana Studio. PureAudio Lotus DAC5, RME ADI-2 DAC FS, Bluesound Node 2i, Musical Fidelity V90, and Auralic Vega DACs.
Preamplifiers: Naim Uniti Atom. PureAudio Lotus. Apt Holman (overhauled and returned to factory specs 2020).
Power amplifiers: Naim Uniti Atom, Krell FPB 200c (recapped 2020), PrimaLuna DiaLogue Premium HP, Schiit Ragnarok.
Loudspeakers: Tekton Moab, MartinLogan Odyssey, KEF LS50W on IsoAcoustics Aperta aluminum…
Sidebar 3: Measurements
I used DRA Labs' MLSSA system, an Earthworks microphone preamplifier, and a calibrated DPA 4006 microphone to measure the MayFly MF-201's farfield behavior, and an Earthworks QTC-40 mike for its nearfield responses. I used an Outline computer-controlled turntable to examine the off-axis behavior, rotating the loudspeaker under test in 5° increments.
Though MayFly specifies the MF-201's sensitivity as 88dB/W/m, my estimate was significantly lower, at 83dB(B)/2.83V/m. While the MF-201's impedance is specified as 8 ohms, the impedance magnitude (fig.1, solid…
Manufacturer's Comment
Thank you, Stereophile, for this excellent review of my loudspeakers. If there is one thing consistent with all the folks who have tested them, it's that the MF-201s need different placement from a "usual" setup. What is interesting is that different folks achieved good results in completely different ways. Some liked them high. Some liked them low. Some liked them dead-on ear level. Some like a lot of toe-in, some not. Experimentation in the final listening room is required.
Regarding the reviewer's comments on the slightly soft presentation in the upper…
Round Trip: Ornette Coleman on Blue Note is the first boxed set on the label's Tone Poet imprint, and it's a bold move. Audiophiles are not known to be keen on avant-garde music, but Don Was, Blue Note's president, and Joe Harley, the Tone Poet producer, are huge Ornette fans. They've lately been reissuing some other adventurous titles from the catalog—so good on them! Fellow fans should dive into this one, and the hesitant should give it a try, with some caveats.
Ornette's classic LPs are the six he made for Atlantic Records from 1959–61, especially The Shape of Jazz to Come, which…