Hello, and Happy New Year! I'm greeting you in October 2021—just before Halloween, in anticipation of Stereophile's publication deadline—but by the time this magazine arrives in your mailbox, it'll be after the holidays.
If I hadn't told you, you wouldn't have known when I wrote this essay—and you still don't know where I was when I wrote it: my office? In an airplane 36,000 feet up? Similarly, I don't know where you'll be when you read it, or when: Maybe in early 2022 in your listening chair; maybe you'll find it in a box in an attic many years hence and read it then.
What I'm…
Ben Lamar Gay: Open Arms to Open Us
International Anthem IARC0051 (CD, LP, download). 2021. Ben LaMar Gay, Dave Vettraino, prods.; Dave Vettraino, eng.
Performance *****
Sonics ****
Ben LaMar Gay draws from experience, and plenty of it. He has dueted with the DuSable Bridge in downtown Chicago (check YouTube) and is a member of that city's fertile Association for the Advancement of Creative Musicians. He lived and worked in Brazil for three years, and last year was commissioned to compose a piece for New York City's Wet Ink Ensemble. His musical mind goes to many places, and…
Edward Simon: Solo Live
Simon, piano
Ridgeway RRCD017 (CD, available as download). 2021. Edward Simon, prod.; Norman Landsberg, eng.
Performance ****½
Sonics ****
Edward Simon is in the second echelon of jazz pianists. He is firmly established, widely respected, and not quite a star.
He was born in Venezuela but came to the United States at 16, 36 years ago. His impressive list of credits includes Greg Osby, Terence Blanchard, and the SFJAZZ Collective.
Solo Live is his 15th album as a leader, but his first unaccompanied and only his second live recording…
Cecilia Bartoli: Unreleased
Beethoven, Mozart, Myslivecek, and Haydn
Cecilia Bartoli, mezzo-soprano; Kammerorchester Basel, Muhai Tang, cond.
DG 4852093 (24/96 WAV). 2021. Arend Prohmann, prod.; Philip Siney, eng.
Performance *****
Sonics ****
Any concerns that artistic shortcomings might have been the reason that Cecilia Bartoli held back release of this 2013 collection of concert arias and extended vocal scenas are dispelled immediately once you listen. It may be difficult to imagine Bartoli's light mezzo-soprano undertaking Beethoven's dramatic scena "Ah! perfido"…
For all its ghastliness and heartbreak, the COVID-19 pandemic has been good to Keb' Mo'. When the virus hit the US, it forced the cancelation of a string of his concerts. "I was getting a little burned out on touring," he confesses.
In the subsequent months, he happily spent a good deal of time at home with his wife and their 14-year-old son. When his creativity needed an outlet, along came an offer from CBS to write and record the theme song and musical cues for a new comedy show, B Positive. And after the pandemic peaked, he told me, "I did some concerts, got a little gig-playing money…
Moore, who was a Buddhist for 15 years, quickly regained his sanguinity. "It's hard to argue with success," he said, smiling again. "Okay, I'm not crazy about 'Baby Shark' (an earworm of a children's song by Korea's Pinkfong that racked up a record-breaking seven billion views on YouTube), but in general when something is successful, I go, 'Hey, that did something, what happened there.' There's a story that Quincy Jones once walked across the A&M lot with a Peter Frampton record under his arm. Someone came up to him and said, 'Quincy, what are you doing? What's the Frampton album for?'…
Further comments from Stereophile June 1970 (Vol.2 No.10):
The Altec A-7-500 offers a highly efficient, rather forward sound for use in large to very large listening rooms or for very-high-volume "Row A" listening in smaller rooms; sound is rather forward but smooth; relatively little "horn" coloration; drivers excellently blended; bass moderately deep (useful to around 50Hz in most rooms), very tight, well defined; highs smooth and rather soft, yielding most-natural high-end quality at high listening levels; stereo imaging fairly good but optimum listening area somewhat small; an…
Evidence is nothing without judgments.—The Lord Leto Atreides II in God Emperor Of Dune, by Frank Herbert
In college, I majored in physics, but I took a lot of theater courses. Not acting—I never had any affinity for that—but all the other aspects of theater: set design, directing, theory of performance, playwriting. One professor, a playwright himself, offered some advice to his students that has served me well ever since: To learn the craft, observe your response first, then look to the text to figure out what about it caused you to respond the way you did.
It was an important…
There's a school of thought that maintains that among all hi-fi components, the D/A converter is easiest to perfect or come close to perfecting. Just make sure that every sample is converted accurately, that there's little rolloff in the audioband, that aliased images are suppressed almost completely, and that background noise is extremely low, and you have a top-quality D/A processor. Use of a high-quality DAC chip is assumed.
The transport part of the player is even easier to nail, this thinking goes, because all it needs to do is extract the data accurately, something any box-store CD…
CH Precision's approach to optimizing timing in digital audio has much in common with the MQA approach. CH Precision tries to achieve as much time compaction as possible without having access to information about the ADCs used in the original digital conversion—and, of course, without MQA's controversial "audio origami," which reduces file size. Of course, MQA wasn't the first to think about these things, either. Heeb told me that this line of thinking goes back at least to the late 1980s, to Luxman's Fluency DAC, a design based on the splines-related DSP work of Professor Kazuo Toraichi of…