When auditioning headphones, take along a wide variety of program material. Try to include recordings that use different miking techniques (pan-potting, Blumlein, ORTF, etc.) The ear and brain hear headphones differently from speakers, which changes the way you perceive colorations.
What you hear depends not only on the hardware and software, but also on what's going on inside your head. Don't listen unless you're rested and relaxed. Start by auditioning one of the better 'phones (Class A, B, or top of C in Stereophile's "Recommended Components…