search

My friend ran up to me in the Mezzanine hallway. "You have to check out the Klipsch Jubilees", he said, breathlessly. "They're so big!" He leans his head back like he's looking up a skyscraper.

Of course I was going to check them out. As soon as I saw them in Capital Sound's spacious room, I thought. "They're so big!"

The Jubilee ($56,000) is top dog in Klipsch's Heritage line, but I didn't expect it to be this big. The Jubilees are both tall and wide—almost square, in fact. They looked imposing, but in their Walnut finish, spiffily imposing.

Something else I…

Quebec-based Lemay Audio was one of my best sounds of the show. At its dizzying price, it should be. If its price makes your eyes glaze over at first glance, all is not lost. I'll get to that.

First, here are the links in the playback chain: a pair of Dayton-Wright Hommage 7 speakers (introductory price $38,000/pair, $43,000/pair after that); a Tenor Audio Line 1 preamp ($200,000); a 250Wpc Tenor Audio 20th Anniversary Edition 175S amplifier ($150,000); the Baetis Audio reference 4 music server / Roon endpoint ($15,000); an iFi Audio Diablo DAC ($1350); a bevy of audio cables by…

Let me tell you a story that involves a young lady and a preteen.

I sat in a central seat in the room hosted by importer Asona and manufacturer Innuos, encountering a system fronted by a pair of slim, 6'10" Italian Fonica Internation Flag L speakers ($13,000/pair)—a two-way, boxless, isodynamic design that uses neodymium magnets and a vibrating, ultrathin Mylar film. Powering them was a Pathos InPol 3 stereo integrated amplifier ($13,000, 45Wpc into 8 ohms) The digital front end was an upsampling Cen.grand DSDAC 1.0 Deluxe ($7800), from China, and an Innuos Statement music server…

Although it may seem like it sometimes, not all the exhibitors at an audio show play the same typical audiophile fare, which sounds great but rarely challenges the power and dynamic reserves of their systems. Mark Jones, of Ontario-based retailer Audio by Mark Jones, is one of those exceptions to the rule. The first track he played for me was Led Zeppelin's chord-crunching, drum-whacking "Moby Dick," at high volume.

And that was Mark's point, wasn't it? To show how his system could play big, hard, loud rock music while remaining cool under pressure. And it did. Listening to "Moby…

The second demo I heard in Focal Naim's spacious, hall-sized room was centered around the brand new Naim NSC 222 streaming preamplifier ($12,000) from the company's New Classic Series. This is big news in the realm of Naim, though it doesn't entirely replace Naim's last Classic Series, which was launched … 50 years ago! The New Classic Series also includes the NSC 222 preamplifier (without streaming), the NAP 250 power amplifier, and the NPX 300 power supply. You might say the NSC 222 replaced Naim's Statement NAC S1 preamp ($129,999), but only at this show: The NAC S1 was supposed to…

Does anyone who's been in our audio-hobbyist orbit for some time not know speaker designer Andrew Jones? Wouldn't it be funny to imagine that in alternate 'verses in the multiverse, Jones might be something other than a famous speaker designer? Perhaps a famous pianist in one 'verse, an accountant in another (footnote 1)?

Luckily for us, this Jones has devoted himself to designing speakers. He has done so for years, very successfully, for many audio manufacturers. Such is his reputation as a speaker designer that every new design he creates is an event.

It's…

When I think of MartinLogan, I immediately envision an electrostatic speaker. One of their tall ones equipped with the dynamic woofer. A second later, I'll be reminded that MartinLogan also makes good cabinet-style standmounts such as the one I saw at the 2019 Toronto Audiofest, the Motion 35XTi.

What I won't naturally equate with an ML design is a box-design floorstander, which is what I encountered in retailer Planète Haute Fidelité's room, and which prompted me to blurt out to the shop's owner, Chris Vézina, "Hey, a Martin Logan tower in a cabinet!". To which he nodded genially…

Description: Electronic record cleaning machine with motorized turntable platter, built-in fluid tank and suction turbine system, and aluminum record clamp. Turntable speed: 30rpm. Maximum noise level: 57dB. Suction system tank content: 450ml. Power consumption: 18W in cleaning mode, 175W in suction mode, <1W in standby mode.
Dimensions: 12.9" (330mm) W × 9.8" (250mm) H × 11.8" (300mm) D. Weight: 15.4lb (7kg).
Finish: High-gloss black acrylic with chrome and stainless steel accents.
Serial number of unit reviewed: ESL203AB000171. Manufactured in…