search

"Where's the Real Magazine?" A final letter

A final letter, March 2001, Vol.24 No.3

Finally, the following letter, responding to the letter that kicked off this discussion, also appeared in the March issue "Letters":

Fill that empty space
Editor: This is in response to a letter to the editor by Dennis Widman in the January issue (p.10).

Sir, I own a Denon AVR-4800 receiver and I don't think you know what you're talking about. Denon is one of the finest audio companies that I know of. Every magazine that has reviewed the Denon AVR-4800 can't say enough good stuff about it. Did you read Stereophile's December…

 

The Fifth Element #8

Ah me. Victoria's Secret underwear (sorry; lingerie) model Rebecca Romijn-Stamos' publicist politely declined my request for an interview with her. An interview with the model, not the publicist. But you already knew that, and you are (best Claude Rains voice) shocked—shocked!

This is too bad—not your state of shock, but my not interviewing Rebecca. Too bad, because one little-known fun fact about Ms. RR-S is that when she was discovered as a model, she was studying music at the college level. (I delight in envisioning Birkenstock-clad Becca towering over preschoolers as she student-…

 

The Fifth Element #8 Page 2

Plinius' 8100 is the award-winning 8150/8200 without phono stage or processor loop, and with a smaller power supply—fair tradeoffs in view of the $1000-lower price. I'm sure I drive designer Peter Thomson to tears by habitually describing Plinius' dynamic and open sonic signature as "pepperminty," but that's the word I fix on as the specific homeopathic antidote to butterscotch. Years ago, Brian Damkroger and I were slack-jawed in admiration at the huge but completely musical sounds that a Plinius/Alón system was making in Las Vegas; for $2000, the 8100 delivers at least some of that magic…

 

The Fifth Element #8 Page 3

Marantz's SA-14 acquits itself so well with regular CDs that you can regard its SACD playback capability as having been thrown in for free. Nordost's Blue Heaven remains the "great cheap Chardonnay" of speaker cables, while their Red Dawn is a worthwhile upgrade. The CPCC power cord is the price/performance leader, and RPG Skylines will transform your life.

System 5: Elegant sophistication: $25,000

Aerial 8B loudspeakers: $7000/pair in hardwood veneer with "kickstands"
Jeff Rowland Design Group Concentra II integrated amplifier: $6500
Marantz SA14 SACD player: $2900
…

 

<I>Bravo!</I>: the 1998 Santa Fe Chamber Music Festival CD

"There, that's where you should put the microphone—5" from the end of my bow."

Holding his bow up at an angle, world-famous violinist Pinchas Zukerman was helping me set up my mikes to record the final concert from the 1998 Santa Fe Chamber Music Festival, where he was to lead an ensemble in a performance of the Mozart G-Minor Piano Quartet. Pinchas Zukerman has been recording for 30 years, so I'd asked him if there was a mike position he'd recommend. He has found that the best position for a microphone to capture the sound of his violin is always the same: "If it works, why change it?"…

 

<I>Bravo!</I>: the 1998 Santa Fe Chamber Music Festival CD Page 2

For the close mikes, environmental noise would not be a problem, as it would be suppressed in comparison with the direct sounds of the instruments and voice. The piano was a magnificent New York Steinway D, its soundboard autographed by all the pianists who had performed on it, from Vladimir Ashkenazy to András Schiff. I picked up its sound with an ORTF pair of cardioid mikes placed about 15" above the piano strings and looking at the width of the soundboard. The outputs of these microphones were panned in the mixdown to full right and 20% left, so that their piano image coincided with that…

 

<I>Bravo!</I>: the 1998 Santa Fe Chamber Music Festival CD The Music

The Music

Quartet No.1 in G Minor for Violin, Viola, Cello & Piano, K.478 (1785)
Wolfgang Amadeus Mozart (1756-1791)
In 1785, Mozart began work on a set of six piano quartets, to be brought out by Anton Hoffmeister, an eager young composer who made his money publishing music. The first of the cycle, K.478 in G Minor, was completed by mid-October of that year; a sequel in the key of E-flat followed in June.

Mozart never composed the four remaining works, and thus we have one of music's great unanswered questions. Some would have it that Hoffmeister begged off after…

 

<I>Bravo!</I>: the 1998 Santa Fe Chamber Music Festival CD The Music part 2

Quintet in A Minor for Two Violins, Viola, Cello, & Piano, Op. 84 (1918-19)
Edward Elgar (1857-1934)
In 1918, it seemed to Elgar that the world was crumbling. Four years of war had left him—as it had so many others—weary and numb from the crush of events. Many of his friends of German ancestry were given a bad time in England; others were killed or maimed in action. Socialism was on the rise in Britain, and the 61-year-old Elgar believed his beloved Edwardian world was drawing to a close. Surgery to remove his infected tonsils cured the problem of his unsettled health, but did…

 

<I>Bravo!</I>: the 1998 Santa Fe Chamber Music Festival CD The Musicians

The Santa Fe Chamber Music Festival Artists
The artists on this CD are some of the finest chamber musicians performing in the US. Featured are: Heidi Grant Murphy (soprano) and Marc Neikrug (piano) in Marc Neikrug's Pueblo Children's Songs; Pinchas Zukerman (violin), Cynthia Phelps (viola), Eric Kim (cello), and Marc Neikrug (piano) in the Mozart G-Minor Quartet; and Jaime Laredo and Daniel Phillips (violins), Robert Rinehart (viola), Sharon Robinson (cello), and Joseph Kalichstein (piano) in the Elgar Piano Quintet.

Pinchas Zukerman and his longtime collaborator, Marc Neikrug…

 

<I>Bravo!</I>: the 1998 Santa Fe Chamber Music Festival CD The Musicians part 2

Eric Kim (cello) was born of Korean parents in New York City. He grew up in Illinois, where he began his music studies at age 10 with Dr. Tanya L. Carey. He received his Bachelor and Master of Music degrees at the Juilliard School, where he studied with Leonard Rose, Lynn Harrell, and Channing Robbins. At age 15, he made his solo debut with the Chicago Symphony.

Now principal cellist with the Cincinnati Symphony, Kim has performed extensively throughout the US, Europe, and the Middle and Far East as a recitalist, chamber musician, and soloist with orchestra. He has appeared as soloist…

 

Advertisement
Advertisement
Advertisement
Advertisement