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Luxman's L-590 integrated amplifier features amplifier circuitry with Darlington-connected devices and the company's proprietary distortion-reducing ODNF (Only Distortion Negative Feedback), which isolates noise and distortion at the output of the music signal, and uses only a touch of negative feedback to suppress them.
I'm familiar with how opening or closing a side entrance to a music room can affect bass loading, But when Philip O'Hanlon of A Higher Note demonstrated how opening the sliding doors behind the new Vivid B1 Decade loudspeakers ($28,000/pair) increased air and spaciousness, I was duly impressed.
The sound, of course, was the most impressive. Thanks as well to Luxman's M-900U stereo amp ($20,000), EQ-500 tubed phono stage ($7500), C-900U line stage ($20,000), PD-171 AL turntable I custom finish ($7000), D-08U SACD player ($18,000), and due-in-March L-590 AX Mk.II, class-A integrated…
For a select group of invitees, Philip O'Hanlon hosted two performances in On a Higher Note's Mirage suite with fabled singer-songwriter Lori Lieberman ("Killing Me Softly with His Song.") Lori entered the suite to rehearse while I was listening to recorded music, and began singing unamplified while Philip and I were in the next room discussing the products on display. I had to stop talking. It is rare that I find myself in the presence of a singer whose every sound expresses the depth of her soul. What an artist. To say that I was transfixed is an understatement.
I can't wait to listen…
In my high school, Bowie was a living chasm. Sure, he had Mick Ronson’s guitar to toughen things up, but in general when he first appeared in our teenaged consciousness it was as the androgynous, painted Ziggy, which made the less sexually secure amongst us glands-out-of-control a little nervous. This came out in conversation as being surly and dismissive of the man and his music. You either thought his glamminess, and the glam movement as a whole for that matter, was cool and fun or it made you profoundly uncomfortable and was somehow a threat to your manhood.
Actually, the Bowie-is-…
“I know something is very wrong”
“Look up here I’m in heaven.”
“I’ll be free/ain’t that just like me”
Given lines like these, it’s very tempting to read into the lyrics of Black Star that David Bowie knew his end was approaching. Whatever the truth, it’s a very sad day for music indeed. He was truly unlike any other. So many re-inventions. The one time David Jones was a master at becoming another. Over and over again. From the red-haired cartoon that was Ziggy Stardust to the tailored suits and suave soul man of Young Americans to the avant, Eno-inspired edges of Low,…
You have to wonder what gets into some of these otherwise normal audio companies like Cary. Did they just hire a twenty-something in the design department? Did the VP have an acid trip one weekend?
Regardless I love seeing them bust out of the rectangular metal box with stuff like the new AiOS (All-in-One System). The blurb sheet handed out at the show says the AiOS is designed for "a new age of music . . . one where simplicity, compactness, and aesthetics take precedence."
Inside is a network audio player combined with a preamp and 60 watt per channel class AB amplifier. There…
Merging has been long respected in the pro recording industry with mastering engineers such as Bruce Brown using the company's Horus network audio converters in his studio. They have also been instrumental with DSD recording technology, so not surprising when I saw the new NADAC in Philip O'Hanlon's On a Higher Note suite at the very top of the Mirage hotel, Philip being a big DSD proponent himself.
The NADAC was officially launched in Munich earlier this year, and is interesting in that it is specifically a network attached DAC. This means you get SPDIF, AES/EBU and more importantly an…
Before starting in on the room reports, here is a little background on how we set things up.
We wanted the best possible sound, so I asked the record label, Blue Castle (formed by Graham Nash and David Crosby), if I could have an HD copy of Nash's new album This Path Tonight straight from the mastering studio. The album was mastered in 24/96 PCM by Bob Ludwig, and the label agreed to supply the first digital copy to be played in the wild on the condition that it never leave Graham's laptop where they would place it themselves. I agreed.
The Village recording studio…
[Note: click here for background on this project and here for how we set up the equipment.]
After a quick mid-morning breakfast with Graham Nash that included AudioStream.com's Michael Lavorgna, we headed up to the top floor of the Mirage hotel to start our day at Philip O'Hanlon's On a Higher Note suite.
Before we walked into the room, Nash gave me a serious look and explained "What I'm looking for is that the intent of my message, the impact of the song, is communicated intact. This is the first time I've heard these songs outside of the studio, so this should be very…
Even though Robert Deutsch has blogged about Magico's new S1, Alon Wolf (right) prevailed upon me to take a (brief) listen. Paired with Convergent Audio Technology (CAT) monoblock amplifiers, the sound was lovely and warm. I did catch a bit of distortion on the right channel at one point, cause unknown, but Joni Mitchell's aging, low voice was maximally evocative, with an extra kiss of tube warmth.