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Reference Recordings and Johnson have been nominated multiple times for Grammys over the years. ("I hate to say how many times I've been nominated for the Engineering Award," quips Johnson, "although I only won it once, in 2010, for Best Engineered Surround Sound on Britten's Young…
According to the company:
AIAIAI is an audio design company dedicated to developing high quality audio products for everyday use. AIAIAI’s modern, minimalist headphones and earphones deliver clear, amplified sound.
Headquartered in Copenhagen, AIAIAI is proud to contribute to Denmark’s worldwide reputation as leader in acoustic and electro-acoustic design and engineering. Informed by a heritage of Scandinavian design, AIAIAI strives to create high…
Reviewers should consciously try to avoid this tendency. Although we should report on cost-no-object components, the bulk of our readers want high musical performance at an affordable price. That's why I get most excited about reviewing sensibly priced components that offer sonic…
I auditioned the Lambda driving PS Audio's new Reference Link digital processor and "preamp" (see review elsewhere in this issue), a Mark Levinson No.30 Reference Digital Processor, and the Meitner IDAT. Digital interconnects included an AudioQuest Optical Pro II glass fiber, and Aural Symphonics and WonderLink coaxial types. My review sample was fitted with ST-type glass fiber, but not with AES/EBU output.
An Audio Research LS2B line-stage drove VTL 225W monoblocks via a 20' run of AudioQuest Lapis. Alternately, the power amplifier was a Mark Levinson No.…
Description: Electrostatic line-source loudspeaker with integral tube amplifier. Drive-units: three 24"-high transducers, and three 24"-high lenses per speaker. Frequency response: 40Hz–15kHz ±2dB over 180°. Lowest useable output: 35Hz. Maximum spl in-room circa 110dB.
Dimensions: 78" H by 24" W wide by 16" D.
Price: $6000/pair (1978), $7000/pair (1979).
Manufacturer: Harold Beveridge Inc., Santa Barbara, CA 93103 (1978). Web: bevaudio.com.
The four transports held in highest sonic regard (the Mark Levinson No.31, the C.E.C. TL 1, the PS Audio Lambda, and the Proceed PDT 3) all had low jitter. I thought the PS Audio Lambda was slightly better-sounding than the PDT 3——and the Lambda had slightly lower jitter.
Fig.1 is the PS Audio Lambda's jitter spectrum with digital silence (track 4 on the CBS Test CD), the heavy dotted trace is the jitter spectrum when the transport is transmitting a –90dB, 1kHz sinewave, and the lightest (top) trace is made with a 1kHz, 0dB sinewave. The RMS jitter level…
A natural point of comparison for the Theta Data Basic was the similarly priced PS Audio Lambda transport. The auditioning was restricted to coaxial and AES/EBU.
I wondered just how similar—or different—the Data Basic would sound compared with the nearly identical Lambda. In my review of the Lambda last October, I concluded that it offered terrific performance for the money. From the listening, it was clear that the Lambda and Data Basic resembled each other in their musical presentations yet were…