Analog Sources: Garrard 301, Thorens TD 124 turntables; Audio-Creative GrooveMaster II, EMT 997 tonearms; EMT TSD 15, Shindo Laboratory SPU pickup heads; Miyajima Laboratory Saboten L cartridge.
Digital Sources: Sony SCD-777 SACD/CD player; HoloAudio Spring "Kitsuné Tuned Edition" Level 3 DAC.
Preamplification: Auditorium 23 Hommage T1 & T2 step-up transformers; Sentec EQ11 phono preamplifier; Shindo Laboratory Monbrison (2017) preamplifier.
Integrated Amplifier: ASR Emitter II Exclusive.
Power Amplifier: Shindo Laboratory Haut-Brion.…
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Sidebar 2: Associated Equipment
Duo Noire's debut recording for New Focus Recordings, Night Triptych, covers so many bases, and speaks so clearly to contemporary realities, that it immediately qualifies for several gold stars. But once you hear the sheer musicality of its premiere recordings of six new works for duo guitar, and how wonderfully they are played, you may be tempted to award the album several more.
For starters, Duo Noire is composed of two African-American men, both graduates of the Yale School of Music. Transcending the old New Music polarities of East Coast/West Coast, Christopher Mallett teaches at the…
Before I spin this 23rd edition of "Gramophone Dreams," I must ask: How many of you are using zip-cord as your speaker cables? RadioShack interconnects? Those black universal 18/3 power cords that come standard with virtually every audio amplifier?
AudioQuest Storm Tornado/High-Current power cord
A few months after I wrote about AudioQuest's Niagara 1000 power-line conditioner ($1000), my friend Sphere asked if I'd ever then removed the Niagara from my system, listened, and still thought it improved the sound.
I had not. So next morning I removed the Niagara and plugged…
I befriended Marsh, and told him to ignore the naysayers and trust his ears. I explained that, for decades, Japanese designers of amplifiers had felt the same way about wires, resistors, even tube sockets. I told him that I thought the differences he heard were likely caused by combinations of electrical, atmospheric, and mechanical phenomena, just as in vacuum tubes. I imagined that alternating audio currents were pulsing electromagnetic shock waves emanating like periodic tremors from magnetic tape heads or phonograph cartridges. These pulsing waves impress themselves on the complete…
Sidebar: Contacts
AudioQuest, 2621 White Road, Irvine, CA 92614. Tel: (949) 585-0111. Web: www.audioquest.com
Triode Wire Labs, PO Box 32. Massapequa Park, NY 11762. Tel: (516) 659-6748. Web: www.triodewirelabs.com
It was almost seven years ago that Nelson Pass, whose talks and exhibits I'd covered at many a Bay Area Burning Amp DIY event and audio show, surprised me with a loan of two Pass Laboratories' XA 160.5 class-A monoblock amplifiers. Ten months later, after I'd commented that my system had challenged the XA 160.5s in the bass department, he sent me a pair of XA200.5 monos. I connected those bigger babies to Wilson Audio Sophia 3 loudspeakers and some now-discontinued digital components with Nordost Odin 1 interconnects and speaker cables. Then came my way, toward the end of 2016, the XA200.8…
Just as many inspired musicians invest their sound with a soulful glow that can grow in brilliance, the XA200.8s seemed to illuminate music from within in a way that complemented that artistic brilliance. In contrast with some tube amplification of my experience, the inner glow I heard with the XA200.8s sounded like something that arose organically from within the music. At the beginning of Mahler's Symphony 2, in the recording by Iván Fischer and the Budapest Festival Orchestra (SACD/CD, Channel Classics CCS SA 23506), the impact of the ominous march of cellos and double basses, the cries…
Sidebar 1: Specifications
Description: Solid-state, monoblock power amplifier. Inputs: 1 balanced (XLR), 1 single-ended (RCA). Power output: 200W into 8 ohms, 400W into 4 ohms (both 23dBW). Frequency range: 1.5Hz–100kHz. Voltage gain: 26dB. Input impedance: 50k ohms single-ended, 100k ohms balanced. THD (1kHz, full power): 1%. Damping factor: 200. Output noise: 200µV. Input CMRR (common-mode rejection ratio): 60dB. DC offset: 0.05V. Current draw at idle: 6.3 amps. Power consumption: 760W. Temperature: 53°C.
Dimensions: 19" (480mm) W by 11" (280mm) H by 27.5" (700mm) D. Weight: 157 lb…
Sidebar 2: Associated Equipment
Digital Sources: dCS Paganini SACD/CD transport, Scarlatti clock, Rossini & Vivaldi DACs, Network Bridge; Intel NUC7i7BNH computer with 8GB RAM, 128GB SSD, running Roon; Linksys router with two TP-Link gigabit Ethernet media converters & multimode duplex fiber-optic cable; external hard drives, USB sticks, Apple iPad Pro.
Power Amplifiers: Dan D'Agostino Master Audio Systems Progression Mono monoblocks.
Loudspeakers: Wilson Audio Specialties Alexia and Alexia 2.
Cables: Digital: AudioQuest Diamond (Ethernet), Nordost Odin 1 & Odin 2…
Sidebar 3: Measurements
Before performing any measurements, I ran one Pass Labs XA200.8 (serial no. 29556) for an hour at one-third its measured maximum power into 8 ohms—thermally, the worst case for an amplifier with a class-AB output stage but not for a true class-A amplifier, which runs at its hottest with no signal. By the end of the hour, the top panel was warm, at 99.4°F (37.4°C), and the side-mounted heatsinks were hotter, at 118.1°F (47.8°C). Although Pass Labs specifies the XA200.8 operating in class-A, I suspect that even with its massive heatsinking, the amplifier doesn't…