In some ways, Adam Schoenberg's music is reminiscent of the…
search
Fear not. Not only is Adam Schoenberg, 36, one of America's most performed living composers, but his music (and, perhaps DNA) bears no relationship to the horrors of that 20th century demon of twelve-tone discord, Arnold Schoenberg. Quite the contrary. The three works on the new, vividly recorded Adam Schoenberg hybrid SACD from Reference Recordings, recorded in 24/176.4 surround and played by the Kansas City Symphony under Michael Stern, are deliciously tonal, filled with color and energy, and irrepressibly optimistic.
Imagine that you own an audio store, and business is good. Sales are up, and you'd like to take on additional lines. It's a good position to be in, but it has its challenges. You need more space, for sure. But what if the only suitable space that's available is some distance from the original store. Will customers follow you to the new location?
Adrian Low, owner of Audio Excellence, has had to face this challenge three times. The first store, which was basically just one room, was established in 1991, in an industrial plaza in the Toronto suburb of Scarborough, part of what's known as…
Booker T. & the M.G.'s, Sam & Dave, Otis Redding—few studios have ever achieved the kind of distinct sound that once poured out of Stax Studios in Memphis, TN. A bit of that gritty, funky mojo lives again in the music of Southern Avenue, a new R&B act from Memphis that's named after the street that runs by the old Stax Studio.
To cement their connection to Bluff City traditions even further, Southern Avenue is now signed to the rejuvenated Stax Records label, which is now a part of Concord Music Group.
Last week, just prior to a gig at the Mercury Lounge in downtown…
Two of the most cherished terms in the lexicon of high end are "no holds barred" and "cost no object." These are usually applied, together, to the most expensive version of something currently on the market. But is either term really appropriate for an audio product? The answer is a flat, unequivocal No. No consumer product has ever conformed to the real meaning of those terms, and it is unlikely that one ever will.
Consider for a moment their literal meanings. "No holds barred" means that if anything could have been done to make the product better, it would have been. "Cost no object"…
Because 8x oversampling puts very stringent demands on aperture timing and sample-and-hold settling speed (the time required for a switched voltage to overshoot the mark and return to its new setting), the DAS-R1 employs four D/A converters in what Sony calls a staggered overlap configuration. The 352.8kHz samples for each channel are switched alternately between two of the converters, so that each gets twice as much processing time as it would otherwise. The outputs from both converters are then averaged, as are noise and (in theory) distortion, resulting in 3dB reductions in both. In…
Sidebar 1: Gordon Holt's System
Equipment used for my tests included the Ortofon MC-3000 cartridge in the Versa Dynamics 2.0 arm and turntable, Vendetta Research SCP-2 head amp, a Mod Squad Prism CD player, Revox A-77 15ips open-reel tape deck, the Threshold FET-10L line controller, Audio Research M200 power amplifiers, and Sound Lab A-3 full-range electrostatic speakers. Audio interconnects were Monster 1000s, and speaker cables were AudioQuest Greens.
The listening room is extensively treated with ASC Tube Traps, for standing-wave control. Program material was some of my own…
Sidebar 2: Measurements
The R1 fared very well on both the CBS CD-1 and Pierre Verany PV.788031/788032 test discs.
The CBS has several series of 1kHz tones of diminishing level, down to –90dB and below, with and without dither added. Nearly every player I have tried them on has produced severe harmonics and/or buzzing from the undithered –80 and –90 tracks, and most were incapable of producing a recognizable pitch from the –100dB dithered signal; it became undifferentiated hiss. With the R1, the undithered –80 track had perceptible even-harmonic content and the –90 track had…
Sidebar 2: Specifications
Description: Two-piece CD player with separate D/A processor. Controls: CDP-R1: AC Power, Drawer Open/Close, Play, Pause, Track Advance/Retreat. DAS-R1: AC Power, Source selector (CD, Aux 1, Aux 2). Infra-red remote control.
Dimensions: Each unit 18.5" W by 5" H by 16" D. Weight: CDP-R1, 38 lbs; DAS-R1, 38 lbs.
Price: $8000 (1988); no longer available (2017). Approximate number of dealers: 20.
Manufacturer: Sony Corp., Park Ridge, NJ 07656 (1988); Sony Electronics, Inc., 16530 Via Esprillo, San Diego, CA 92127-1708 (2017). Tel: (858) 942-2400. Web:…
Merriam-Webster's 11th Collegiate Dictionary defines tot as "1: a small child: TODDLER; 2: a small drink or allowance of liquor: SHOT." Torus Power used it to name their compact line of toroidal power conditioners. Although small in size, weight, and price, the TOT AVR includes the Automatic Voltage Regulation referred to in its name, as well as noise filtering and smart Ethernet control, and is available with series-mode surge suppression (SMSS) circuit protection.
Kevin Main, president of Torus Power, joined me for lunch in Las Vegas during the 2016 Consumer Electronics Show, to tell…
Sidebar 1: Specifications
Description: AC power isolation transformer and voltage regulator with six AC outlets. Nominal input voltage: 120V. Undervoltage limit: 85V (US). Overvoltage limit: 135V (US). Input frequency: 60Hz, ±3Hz. Input fuse: 10A, 250V. Output voltages: 120V, ±5V (US). Maximum continuous current output: 10A. Power VA/maximum continuous load: 1200VA (US). Output impedance: <'2 ohms. Efficiency at 1200VA: <1200VA resistive load, >99.6%; reactive load, >99.6%. Noise reduction: Narrow Bandwidth Technology (NBT) circuit using transformer as low-pass filter…