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With the 270 driving the 27ix and the latter connected directly to the Levinson power amplifiers, the sound quality was jaw-dropping. Only the Linn Sondek CD12, which Wes Phillips reviewed in February, was in the same league for CD playback. Even my own Mark Levinson No.31.5/No.30.5, which I purchased a few years back, fell a little behind when it came to the sheer transparency of the Wadia's presentation.
Tiny recorded details were laid bare, yet without the presentation being spotlit or forced. When I used the Wadia 27ix as the monitoring converter for the mixing of…
Wadia 27ix: D/A processor with remote, digital-domain volume control (0.5dB steps). Sample frequencies accommodated: 96kHz, 88.2kHz, 48kHz, 44.1kHz, 32kHz. Digital filter: DigiMaster algorithm running at 64x rate (16x in software-based filter, 4x in hardware). Inputs: two ST-type glass-fiber optical, two coaxial S/PDIF on BNC jacks, AES/EBU, TosLink optical. Outputs: balanced on XLR jacks, single-ended on RCA jacks (both outputs can be used simultaneously). Output impedance: 15 ohms. Maximum output level: user-adjustable in 16 steps, 410mV-9V. Frequency response…
Digital sources: Mark Levinson No.31.5 CD transport and No.30.5 DAC, connected with Illuminations Orchid AES/EBU link; Wadia No.270 CD transport and No.27ix DAC, connected with ST-glass links. (The Levinson '31.5 was also used to drive the 27ix via an ST link.) Nagra-D open-reel digital recorder at 44.1kHz (and at 96kHz via the dCS 972 D/D converter) and Panasonic SV-3700 DAT recorder, all connected via a Meridian 518 reclocking unit and Canare 110-ohm AES/EBU cables; California Audio Labs CL-20 and Denon DVD-5000 DVD players for 96kHz material.
Analog…
The Wadia 27ix's output is noninverting from both its unbalanced and balanced outputs (the latter with pin 2 hot). The source impedance was a very low 8.1 ohms across the audio band from the unbalanced outputs, approximately double that from the balanced jacks at 15 ohms. Both are low enough to drive long interconnects and awkward loads without problem, facilitating the Wadia's use without a preamp. The maximum output level as supplied for review was 4.34V from the unbalanced outputs, 4.28V balanced. Channel balance was a superb 0.01dB.
The time-domain-…
Fig.4 Wadia 27ix, 1kHz squarewave at 0dBFS, 96kHz sampling.
Fig.5 Wadia 27ix, 12kHz squarewave at 0dBFS, 96kHz sampling.
The Wadia 27ix injects extremely low levels of noise into its analog output. Fig.6…
Fig.8 Wadia 27ix, balanced outputs, departure from linearity. (Right channel dashed, 2dB/vertical div.)
Fig.9 Wadia 27ix, waveform of undithered 1kHz sinewave at -90.31dBFS (16-bit data).
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Fig.12 Wadia 27ix,…
Fig.14 Wadia 270 & 27ix via ST-optical connection with…
I was stunned when I unpacked the Wadia 270 CD transport. For $7950, it's a beautifully built component—more than 30 lbs of machined aluminum, down to the brackets, clamps, and chassis components. Even the two damping plates sandwiching the clock and output circuit boards are each machined from a solid block of aluminum. The 270 is big and heavy, with a solid disc drawer and an easy-to-read display, and comes with wide, easily adjustable spiked feet and elegant gray spacers for docking with the $8950 27ix Digital Decoding…