It would only be fair to expect that in the new historic box set, Decca Sound 55 Great Vocal Recitals, there would be a fair number of clunkers amongst the gold. But that is anything but the case. For just a bit more than $2 per CD, you will end up with so many superb performances, recorded by singers in their prime, that unless you already possess almost everything in the box—I do—or you require English translations for most of its contents, purchase is a no-brainer.
Nor are the CDs by any means skimpy in length. The shorter, LP-length recitals that were set down in the analog era are…
The death of famed Memphis producer Lincoln Wayne “Chips” Moman, sent me scurrying off to listen to some Elvis records. Moman was a producer, songwriter, engineer and the man who capped Elvis’ short career revival that followed the 1968 Comeback Special. While he produced “Mama’s Don’t Let Your Babies Grow Up To Be Cowboys,” for Willie Nelson, produced the later Box Tops recordings and wrote or co-wrote a pack of great tunes including “Luckenbach, Texas” (Waylon Jennings), “The Dark End of the Street” (James Carr) and “Do Right Woman, Do Right Man” (Aretha Franklin), it’s the sessions he ran…
David Krakauer is not only king of klezmer but one of the great clarinetists, period, a musician equally at home in jazz, rock, classical, and various fusions thereof. He joined the Klezmatics in 1988, started his own band Klezmer Madness! in the mid-'90s, joined with the rapper Socalled to create Abraham Inc. in the mid-'00s, and, all along, soloed with chamber and symphony orchestras worldwide, most prominently, and wondrously, with the Kronos Quartet on their recording of Osvaldo Golijov's The Dreams and Prayers of Isaac the Blind
His latest band, Krakauer's Ancestral Groove, a jazz…
Billy Drummond is a world-class jazz musician who listens to music on what he describes as "high-performance playback equipment." Drummond has not one, but three, working systems in his cozy New Jersey home, each one lovingly tweaked, carefully positioned and closely maintained to reach optimal playback efficiency.
Billy is Professor of Jazz Drums at Juilliard and NYU, and he also accepts students at home. After lessons he often invites students to hear vinyl on his Basis Audio turntable, Audio Research amplification, and Magnepan speakers setup. The visiting 20-year-olds are often as…
I'm sitting on a dark leather sofa, legs crossed, lips pursed, brow furrowed.
Glenn Gould playing Bach's Goldberg Variations can be faintly heard through a tape recorder in another room. To be more specific, a Realistic CTR-68 Model 14-808B.
"Jana, you're such a strong woman. I don't understand why you so desperately rely on Elton John for emotional support and inspiration. Honestly, it's quite troubling that you just impulsively purchased 11 Elton John records off of eBay. You're becoming like one of my other patients, Robert Baird, he's a severe addict. There's no hope for him…
Stereophile hasn't reviewed a PS Audio power regenerator since February 2009, when Robert Deutsch tried the company's then-flagship, the Power Plant Premier ($2195). But earlier this year, as I prepared to write my review of PS Audio's NuWave DSD DAC (published in the May 2016 issue), a perfect opportunity to revisit the line came about: I read, in the owner's manual for the PSA DAC, that "power conditioners and the quality of the AC power can make a significant difference in sound quality." Eager to help the NuWave DSD put its best foot forward, I asked PS Audio to assist me in dealing with…
Listening
When the PerfectWave P10 Power Plant was feeding my entire system, based on DeVore Fidelity The Nine loudspeakers and including a Leben CS-600 amplifier and analog and digital sources, I experienced exceptional musical moments more often, finding myself sitting up and taking notice of some musical detail. Streaming the Tidal playlist "Wildwood Flower: Best New Folk and Americana" at CD resolution, I was startled by the creaminess of Dori Freeman's voice in "Where I Stood," from her eponymous first album (CD, Free Dirt DIRTCD 0074). The percussiveness of Kristin Fossheim's…
Sidebar: Specifications
Description: Regulated AC regenerator with 10 outputs and multiple output waveforms. Load capability: 1500VA peak, 1200VA continuous. Output impedance: <0.015 ohms. Distortion on output wave: <0.5% into resistive and reactive loads.
Dimensions: 17" (430mm) W by 14" (360mm) D by 8.5" (215mm) H. Weight: 73 lbs (33kg). Shipping weight: 82 lbs (38kg).
Finish: Black or silver.
Price: $4999.
Manufacturer: PS Audio, 4826 Sterling Drive, Boulder, CO 80301. Tel: (720) 406-8946. Fax: (720) 406-8967. Web: www.psaudio.com.
Life is too short to put up with poor-sounding headphones, I mused the other morning, during my 60-minute commute on the NYC subway. All around me, straphangers gripped smartphones and listened to multicolored Beats, noise-canceling Boses, white Apple earbuds, and, only rarely, Sennheisers and Grados.
Most of my personal listening these days is through Audeze's large, open-back, circumaural LCD-X headphones, which I bought following my review of them in the March 2014 issue. (On the subway I use the Ultimate Ear 18 Pro in-ear monitors, which provide much better isolation and are not as…
Sidebar 1: Specifications
Description: Open-back, circumaural (over-ear) headphones with planar-magnetic drive-units using neodymium magnets, and earpads of premium lambskin or leather-free, microfiber supersuede. Transducer: 106mm. Maximum power handling: 15W (for 200ms). Maximum sound-pressure level: >130dB at 15W. Frequency range: 5Hz–20kHz ("extended out to 50kHz").Total harmonic distortion: <1% through entire frequency range. Nominal impedance: 200 ohms. Sensitivity: 97dB/1mW. Optimal power requirement: 1–4W. Supplied accessories: single-ended ¼" TRS to 2x4-pin mini XLR cable…