I measured the Mytek Brooklyn with my newly recalibrated Audio Precision SYS2722 system (see the January 2008 As We See It"). As well as the Audio Precision's analog and digital outputs, I used WAV and AIFF test-tone files sourced via USB from my MacBook Pro running on battery power with Pure Music 3.0. I updated the firmware to v.2.2.1 before the testing, using the Brooklyn Control app running on my laptop. Apple's USB Prober utility identified the Brooklyn as "Brooklyn DAC" from "Mytek Digital," its serial number as "03105-1605-101," and confirmed that the USB…
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Photo: Jason Victor Serinus
Exactly what did Bob Stuart (above) say at that press event earlier this month at the Rocky Mountain Audio Fest (RMAF)? Stuart—CEO of the company MQA, short for Master Quality Authenticated—made an announcement about the Warner Music Group's (WMG's) transcoding of their catalog into MQA format, a project announced last May.
But what exactly did he say? I didn't attend RMAF and accounts I found in the audiophile press were incomplete and contradictory. Is WMG finished with the project? Has the catalog been converted? All of it or just some? What exactly…
In honor of the 225th anniversary of Mozart's death at the age of 35, Decca, Deutsche Grammophon, and the Salzburg Mozarteum Foundation have together issued a whopping 24-lb box of recordings and commentary called Mozart 225. Billed as the most complete and authoritative edition of Mozart recordings ever assembled, the $480 box, in an edition limited to 15,000 copies worldwide, includes 200 CDs with 240 hours of music.
As you can see here, the contents amount to every completed work by Mozart, including the Handel and Bach arrangements; over 100 fragments, completions by other composers,…
Does marketing work? You betcha! Micah Sheveloff, who handles Bryston for WIRC media, sent me an e-mail reminder of Bryston's presence at TAVES 2016. (Just to be sure that I got the message, he also sent the same e-mail to John Atkinson.) So when I arrived at the show, it seemed only natural that the first exhibit I checked out would be Bryston's.
Bryston is on a roll. After making their reputation with built-like-a-tank power amplifiers, the company followed up with preamps, digital components (DA converters, digital players, etc.), phono stages, speakers, headphone amplifiers,…
Robert Deutsch wrote about the Torreys upgrade in November 2016 (Vol.39 No.11):
Ted Smith, PS Audio's wizard of converting digital signals to analog, has been at it again. It's not as if he hadn't warned us. In the November 2015 issue I reported on Yale, the latest iteration of the DirectStream D/A processor's operating system. Although Yale was, in my estimation, a considerable improvement on the OS that preceded it—Pikes Peak—Smith said at the time that he was "already working on ideas that should make it much, much better still."
Now we have Torreys, DirectStream's latest OS,…
Herb Reichert wrote about the Koss ESP/950s in November 2016 (Vol.39 No.11):
I was listening via Tidal to Jorma Kaukonen sing Mary Chapin Carpenter's intoxicating "Just Because," from his Blue Country Heart (CD, Columbia CK 86394). I was using the Pass Labs HPA-1 amplifier ($3500) and Audeze LCD-4 headphones ($3995). All I could think, as Jorma sang, Béla Fleck picked, Byron House plucked, and the sound was rousing and joyous, was What more should anyone want? Then Jorma sang the Delmore Brothers' "Blues Stay Away from Me," and I thought, This is genuine heaven. Life is not filled with…
Art Dudley wrote about the Sopranino in November 2016, Vol.39 No.11):
In audio as elsewhere, there's nothing new under the sun (footnote 1). Thus, in their zeal to give consumers an ever-better facsimile of every note on their records, some audio designers turn their attention to old technologies. The California firm EnigmAcoustics, for example, has found a new use for something as old as the Earth itself: the electret, typified by such abundantly common minerals as quartz. And while EnigmAcoustics make their electrets out of exotic fluoropolymers rather than quartz, they have the same…
Now in its fifth year, the UK-based Chester Group's New York Audio Show opens to the public this Friday, November 4, at 1pm in the Park Lane Hotel overlooking Central Park. (Friday hours are until 7pm.) The three-day show, a smaller version of what has come before, promises 30 exhibit rooms, half of which are "oversized," two ballroom-sized exhibits, and two more ballrooms filled with exhibits and vendors selling merchandise. All-in-all, the event, whose one-day visitor pass costs $30 ($26 in advance, with significant savings for multi-day passes) promises almost 110 brands.
Christina…
When Rocky Mountain Audio Fest 2016 (RMAF)—the hot hi-fi rager of the Wild West—came to its close, I had one more official stop to make: YG Acoustics.
Located just 30 minutes from Denver in the city of Arvada, is the YG Acoustics facility—including the factory, showroom, and offices. Much like most factories, the exterior is an unassuming vanilla casing, with no evidence of the flavorful, no-compromise, high-tech, high-end speakers living (and being brought to life) inside.
The tour was informative. We breezed through the office space, then worked our way through the factory.…
Muraudio, based in Ottawa, Ontario, pioneered the design of the omnidirectional electrostatic loudspeaker in their Domain Omni PX1. The follow-up to that model, the PX2 ($US79,500/pair), was introduced at TAVES 2016, and sounded very impressive indeed in a system including Simaudio Moon digital and analog electronics, with Shunyata cables and power-line conditioning. However, with a total system price of $US196,500, while not nearly the priciest of the systems demoed at TAVES, this is still well out of the reach of most audiophiles. In talking to company founder and chief technology officer,…