Now add to this list of treasures Sam Rivers' Fuchsia Swing Song.
All four of those albums were recorded in…
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One of the things I admire most about the folks at Music Matters Jazz—the audiophile house that reissues classic Blue Note albums at 45rpm, the tracks spreads out on two slabs of 180gm virgin vinyl, tucked inside handsome gatefold covers—is that they focus on the label's later avant-garde titles as well as on its earlier hard-bop chestnuts. Highlights in that realm to date: Eric Dolphy's Out to Lunch, Andrew Hill's Point of Departure, and Jackie McLean's Destination Out.
With well over 115 individual exhibits and hundreds of high-end audio and home theater brands making music just steps away from a wine show, auto show, a cigar show, and live jazz, T.H.E. Show: Newport promises to raise the bar for consumer audio shows in Southern California.
Scheduled for next Friday through Sunday, June 3–5, in the Newport Hilton, adjacent to Orange County's John Wayne International Airport, T.H.E. Show: Newport is the brainchild of Bob Levi, President of the successful Los Angeles & Orange County Audio Society, and Richard Beers, President of T.H.E. Show. Levi came…
The VTL 225W DeLuxe monoblocks are very similar to the 300W monoblocks that received such an enthusiastic reception from J. Gordon Holt a year or so ago (in Vol.11 No.10) and, ultimately, most of the audiophile community. Technically, they differ only in output tubes and transformer: the 225W uses EL34s, the 300W uses 6550s. The 225Ws, at $4200/pair, cost $700 less than their more powerful brothers. The question may be raised: Why have two models so close in price and performance? According to David Manley, the 225Ws were built on special order for audiophiles who preferred the sound of EL34s…
Sidebar 1: Specifications
Description: Monoblock tubed power amplifier. Tube complment: eight EL34s, 12AT7, 12BH7. No specifications provided.
Dimensions: 19" W by 10" H by 10" D.
Price: $4200/pair (1990); no longer available (2011). Approximate number of dealers: 25.
Manufacturer: Vacuum Tube Logic, 4774 Murrietta, Suites 9&10, Chino, CA 91710. Tel: (909) 627-5944. Fax: (909) 627-6988. Web: www.vtl.com.
Sidebar 2: RH's 1990 System
The playback system included a VPI HW-19 Jr. turntable with an AudioQuest PT-5 tonearm and Sumiko Boron vdH cartridge, Marantz CD-94 CD player, and an Audio Research SP14 preamplifier. Interconnects were Magnan and Expressive Technologies, both of which made obvious audible improvements in the system. The amplifiers drove MartinLogan Sequel IIs and my trusty Vortex Screens through AudioQuest HyperLitz Clear speaker cable. The MartinLogans were bi-wired, with the woofer polarity reversed to reduce the midbass suckout (see Dick Olsher's "Followup" review in Vol.…
Sidebar 3: Measurements
The VTL 225W monoblock clipped at 178W into 8 ohms (22.5dBW), and 208W into 4 ohms (20.2dBW), which is good for a tube amplifier. When driving 2 ohms, they did not increase their power output at clipping, indicating that they are current-limited. Frequency response featured a slightly rising HF response above 10kHz, reaching +0.2dB at 20kHz. When driving a capacitive load (2.2µF in parallel with the load resistor), this HF rise started at a lower frequency and reached a greater amplitude. At 20kHz, the response into this load was up nearly 2dB, which will be…
CHARLIE PARKER: Bird (Original Soundtrack)
Charlie Parker, Charles McPherson, alto saxes; Red Rodney, trumpet; Monty Alexander, piano; Ray Brown, Ron Carter, basses; Charlie Shoemake, vibes; John Guerin, drums; others
Columbia SC 44299 (LP), CK 44299 (CD). Bobby Fernandez, Neal Spritz, engs.; Clint Eastwood, Lennie Niehaus, prods. ADA/ADD. TT: 41:21
Charlie Parker, Charles McPherson, alto saxes; Red Rodney, trumpet; Monty Alexander, piano; Ray Brown, Ron Carter, basses; Charlie Shoemake, vibes; John Guerin, drums; others
Columbia SC 44299 (LP), CK 44299 (CD). Bobby Fernandez, Neal Spritz, engs.; Clint Eastwood, Lennie Niehaus, prods. ADA/ADD. TT: 41:21
Unlike Round Midnight, which encased Dexter Gordon's Bud Powell character in a soft-focus, romanticized, soundstagily mythic NY/Paris jazz juncture that never quite was (Herbie Hancock's music direction was deliberately inauthentic for…
In our May issue (see “The Entry Level,” page 47, or just click right here), I discussed the Music Hall USB-1 turntable ($249), Audioengine 5 powered loudspeakers ($349/pair), HiFiMan HM-602 portable music player ($439), and meatloaf (probably around $30 for all the ingredients).
I remember, fairly clearly, the events which led to this particular column. It was a chilly winter evening, late January or early February, and the girls and I had enjoyed a quiet, lazy day. We were now on our way home from a quick trip to Trader Joe’s. I was riding in the backseat of Natalie’s Honda (she’s got a…
If you measure success as confusing people, provoking discussions, evoking strong feelings, keeping listeners off balance, creating opposing camps, having the same record hated and loved by equal minorities, then Circuital by My Morning Jacket is already a big hit. In fact Jim James and his mates in MMJ now seem to be solidly defining success as rattling their listeners, making them uneasy; challenging their definition of what MMJ is with every record. And they seem to have mastered gaining and losing new audiences with each succeeding recording project. Those who came to love Z (2005) hated…
Monster partnered with members of the Miles Davis family, Sony, and J&R Electronics to commemorate music icon Miles Davis’ 85th birthday at J&R’s downtown New York City location. Pictured (left to right): Rachelle Friedman, J&R Electronics co-founder; Erin Davis, Miles Davis Properties, LLC; Greg Pedersen, Monster Marketing & Brand Alliances; Anthony Ellis, Sony VP Urban Sales & Marketing; Noel Lee, “Head Monster”; Vince Wilburn, Miles Davis Properties, LLC. Photo: Dan Dion.
Last Thursday, May 26th, I attended an excellent dinner at the Tribeca Grill, hosted by the…