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A closer view of the Dan D’Agostino Momentum amplifier, with its watchface-styled meter. Photographs just don't do this gorgeous amplifier justice—I just wanted to stroke that meter, caress those copper flanks!
Dan D’Agostino is no newbie to high-end audio, but his namesake company is. In the new company’s first showing at a CES, Dan brought in his new Momentum monoblock amplifiers ($42,000/pair). The amps, visually inspired by Swiss watch design, are among the most distinctive and beautiful pieces of equipment I’ve seen. The sides of the amplifier are made of copper, which not only gives the amps a lustrous, glowing color, but also serve as very efficient heatsinks for the 28 output transistors.
The amplifier is completely made in-house, including such things that are usually handed off to…
Without a doubt, the four-way, five-driver Magico Q5 that Michael Fremer reviewed last November was one of my loudspeaker high points of 2010. But at $59,950/pair, the Q5 is definitely a speaker aimed at the deep-in-pocket. Magico's Alon Wolf proudly showed his new Q3 at CES, which, at $34,000/pair, is going to appeal to a somewhat wider market.
A three-way sealed-box with three 7" Nano-tec–cone woofers, the 47"-tall floor-standing Q3 uses the same proprietary beryllium-dome tweeter as the Q5 in the same type of space-frame enclosure, with a 6" Nano-tec midrange unit. The lower woofers…
More than once in my years of CES-going, it has come down to the last day of the show for me to discover an important product. That was the case this time. The product was the Triton Two, the flagship loudspeaker from GoldenEar, the new company founded by Sandy Gross and Don Givogue, who had been partners at Definitive Technology, Gross having also co-founded Polk Audio. The company is new, but it draws on a wealth of experience in the speaker business, and it shows.
There were quite a few speakers that impressed me at this show, but, taking price and sound quality into account, I have…
I heard a lot of good sound at the 2011 CES and T.H.E. Show. But my joint best sound must go to the room at the Venetian where Convergent Audio Technology was demming the new Ken Stevens Statement tube monoblocks with a CAT SL1 Legend preamp, Vandersteen 5A loudspeakers and MSB digital front-end, with cabling from Stealth and AC supplied by The Essence Reference system.
As I walked into the room on the final afternoon of the Show, a Chopin piano work was playing. yes, the recorded perspective was close, but my goodness, the instrument was there in the room! (It was the Gold Collector's…
My other joint best sound at CES was to the On a Higher Note room at the Mirage Hotel across the street from the Venetian. On dem was the G2Giya ($50,000/pair), which made its debut at the 2010 CES, driven by a Luxman stereo amplifier, and the Audio Aero La Source tube preamp/digital player, hooked up with Shunyata's new Anaconda line of cables.
The G2 has half the cabinet volume of the similar-looking G1Giya that Wes Phillips reviewed last July, and replaces the larger speaker's twin 11" woofers with 9" units. Whether it was the smaller speakers not exciting the penthouse room's…
My most emotional moment at the 2011 CES came in the Harman suite on the Venetian’s 35th floor. I finally got to meet Kevin Voecks, Revel Loudspeakers’ head honcho, and he is every bit the gentleman people told me he would be. Playing in one room of the Harman suite was a system comprised of Mark Levinson digital and amplification gear including the new No. 53 monoblock amplifiers ($25,000 each) and the Revel Ultima Salon2 loudspeakers. The No.53 is Levinson’s first digital switching amplifier. One of the inherent problems of a switching amp is that it creates dead bands in the audio signal…
PSB’s Paul Barton, proud designer of the new Imagine Mini. Photo: Bob Deutsch.
I complain—a lot—about Vegas. I have to apologize to my family, friends, and colleagues for all the whining I’ve let loose over the last couple of weeks. I’m sorry.
I should apologize to you, too, Las Vegas, because there must be more to you than all your neon lights and annoying buzzers and piped oxygen and smoky casinos, your fancy facades and empty promises—everything in Las Vegas looks beautiful from afar, but the closer you get, the uglier it becomes, the clearer its lies and flaws, the more…
So many music servers and related products appeared at the 2011 CES, that we can now sort them into various sub-categories depending on what is included in the box.
Below is a list of new or upgraded products that caught my eye at the show.
Optimized Music Computers
These are hot-rodded off-the-shelf computers and software packages from Amarra and Pure Music to help you set up your own computer as a high quality server. Couple that with all of those USB DACs now appearing (see below) and a stack of hard drives and you're set:
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The last time I attended CES was three years ago. Although many things have stayed the same, there were also interesting changes—some of them profound. At the Las Vegas Convention Center, it seemed that almost every exhibit had to do with 3D, iPods, or tablet computers. At the Venetian, in addition to the traditional areas of speakers and amplification, it was music servers and related products—ably summarized by Jon Iverson in his wrap-up. Cables were big. (More on this anon.)
It was a very crowded show. At the convention center, the scene was at times like being on a subway…