I ran into Avatar Acoustics’ Darren Censullo, who was buzzing with enthusiasm and excitement over the new i-Fi Micro line of components. And rightfully so.
The i-Fi Micro products—there’s a DAC, a headphone amp, a power supply, a phono preamp, and more on the way—utilize technology tricked down from AMR’s state-of-the-art products, but place it in small, attractive packages, with far more attractive prices: $299 for the iDac, $249 for the iCan headphone amp, $199 for the iUSB Power Plant, and $399 for the surprisingly versatile iPhono MM/MC phono preamp.
Michael…
As Jason Victor Serinus mentioned, there was a party going on in the Music Hall room; and, while this meant that you really couldn’t evaluate the sound of the system, it also meant that you were bound to actually have fun.
Hmm: Evaluate sound or have fun, evaluate sound or have fun?
Oh, darn. I guess I’ll have fun.
While in the Music Hall room, it occurred to me that, instead of roaming around the entire RMAF looking for stories, I could have spent my entire time with the company’s Roy Hall and Leland Leard and simply waited as the stories came to me.
It was in…
In the Music Hall room, I also met Alissa Vassilkova, whose father, Alfred, is the founder and lead designer of Estonia’s Estelon loudspeaker company.
“Did Leland drag you in here?” I asked.
“Yes,” she said.
***
That beautiful turntable in the background (What turntable?) is the Music Hall USB-1.
In the big Pikes Peak room, I heard a big, full-bodied sound that gave a gentle sparkle to electric guitars and rich texture to voices.
The system:
Laufer Teknik Memory Player 64 Ultimate digital music player ($27,950), Leonardo Model 8 ribbon-planar loudspeaker ($65,000/pair), Audio Power Labs (“My Tubes Are Bigger Than Yours”) 833TNT monoblock power amplifier ($175,000/pair), Silver Circle Audio Pure Power One 5.0 power conditioner ($5500), and loudspeaker cables, interconnects, and power cords from Klee Acoustics, Kaplan Cable, and Extreme Audio.
The gong-shaped thing…
As I was heading out of the Sony room, which John Atkinson is covering separately, I spied an open door. Like a cat to a paper bag, I dove inside to discover the sensational recording engineer and producer Cookie Marenco of Blue Coast Records. A strong proponent of DSD, with which she records many of her projects (including free hi-rez downloads), Marenco was hanging in Sony’s storage area/hospitality suite prior to delivering one of her four guest demos in the adjacent Sony room. (Gus Skinas of Sonoma Systems presented three other demos, and Chad Kassem of Analogue Productions the remaining…
Nordost’s Lars Christensen has become an industry legend of sorts for the enthusiasm with which he launches into cable comparison after cable comparison. At RMAF, he notched his demos up several steps, inviting people to hear the effects that cabling, power distribution, and resonance control products from Nordost and other companies can have on system sound.
“The bottom line is, despite the science involved, if you can’t hear it, it matters not,” Nordost’s West Coast distributor Michael Marko told me outside the demo room.
The power cable comparison, performed on a Simaudio Moon…
Not to be outdone, Kent Loughlin of MIT (Music Interface Technologies) staged 5-minute cable comparisons in the MIT room on the 2nd floor of the Marriott’s Tower. Using a Cary CD player and Cary monoblock amplifiers, and Polk Audio monitors with Custom Sound Anchors stands, Loughlin initially chose the beautiful, albeit oft-played soprano solo from Reference Recordings’ superb version of Rutter’s Requiem to let people hear the difference that MIT’s AVT Speaker Module ($149), which added up to 10 poles of articulation, brought to MIT’s custom installation cable (80 cents/foot for 12-gauge…
I ended Day 1 of RMAF with my first visit ever to the MC room. Although the MC-501A CD/USB player ($3995) and MC-701 integrated amplifier ($4595) were initially driving MC’s RL-21 loudspeakers ($3495/pair) too loud, generating an unwelcome host of small room interactions, the system did an exceptional job, at more realistic volume, playing a recording of a traditional jazz trio. Not only did the music sound very alive and in the moment, but the piano also had a special illumined quality absent from many systems that cost far more than this one.
After learning that the system was wired…
There's pretty much only one way to hear Rammstein at a hi-fi show: Visit the demonstration room of Swedish-based, American-built Sjöfn HiFi. (As close as I can tell, the name is pronounced hoofin, although you have to do something funny to the H.) Sjöfn 's Managing Director, Lars Erickson, approaches the selection of demo music with a adventurousness and whimsy—this is the man who turned me onto the great Israeli trance duo, Infected Mushroom—and the sound of his new two-way loudspeaker, The Clue ($999/pair, direct, including shipping) was up to the task. As with earlier Sjöfn designs, I…
Strange that I should travel 1800 miles to hear products that are designed and manufactured less than two hours from my home. Happily, the McIntosh experience at RMAF was worth the effort, especially inasmuch as the hallowed brand distinguished itself by playing real music as opposed to audiophile chestnuts. (Think of it!) I especially enjoyed some selections from the Beatles' Anthology 3 collection, played via JRiver software on an HP laptop, through a McIntosh C50 preamp ($6500) and MC452 amp ($7500), along with the McIntosh MEN220 room-correction system ($4500, which includes the…
