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But, as cubicles go, this one is not bad at all. I actually have more desktop space than I did in my nice office.…
It doesn’t have quite the fluency or exuberance of Let Yourself Go or In Amsterdam, my two favorite Hersch albums (both recorded live, in 1998 and 2003, respectively…
Our original idea was to use the feature shot (on page 53) for the cover, but we decided to go instead with the more dramatic close-up. I think it worked out. We’ve gotten…
There are eight models in Klipsch’s Synergy line: The F-30, F-20, and F-10 floorstanders, the B-20 bookshelf, the C-20 and C-10 center channels, and the S-20 and S-10 surrounds. All of the speakers include Klipsch’s Wide Dispersion Surround Technology, said to provide maximum surround coverage and improved…
The USB-1 from Music Hall
Music Hall has added an inexpensive USB turntable to their product line. The two-speed, belt-driven USB-1 uses an aluminum die-cast platter, has a groovy S-…
Long passages of trembling guitar and deep drones, like the sounds of crying ghosts or freight trains in the deep distance, are interrupted by little blasts of electronic scrawl and metallic whisper. Tracks run into one another with little or no obvious…
Hersch’s piano sounds airier, a bit more extended in the highs. More striking, Eric McPherson’s drums, while still somewhat compressed (the only serious sonic complaint I had about the CD), come off much more detailed. His rhythmic subtleties are clearer, and the individual pieces of the drum kit are more distinctive. At the opening of the first track, you…