Last Sunday night, at B.B. Kings in New York City’s answer to Hades and Hiroshima, Times Square, Stereophile contributing editor David Sokol, his lifelong friend David Simons and a cast of thousands including a horn section of very talented teenagers, staged a very wonderful musical tribute to the Kinks album, Muswell Hillbillies. The intrepid Mr. Sokol proudly wore his Stereophile cap throughout the set as he sat behind his kit…
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I’m almost afraid of bringing it into my home.
You wouldn’t just bring some sort of a hungry, horny dingo/bear/wolf/dog into your home, would you? I feel like I have to Grinderman-proof the apartment first. Put up…
Yes, you read that right: an article about such audiophile labels as Music Matters Jazz, Analogue Productions, and Classic Records was featured in the paper of record, and quite prominently so: 1,500 words, spread out on two pages, with four photos, including one of a Blue Note 45 spinning on my own VPI Classic.
Is it a sign that the MSM are beginning to take all this seriously—or just an editor who agrees that a narrative…
Or maybe I’ll go crazy and buy myself a beer and a record. Woo!
Ariel and I kept in touch, and, one winter day, prior to an Open End show at the Iron Monkey in Paulus Hook, during which I was crazily infatuated with a beautiful, vinyl-loving girl (another story altogether), Ariel mentioned that he’d be interested in a full-time position with Stereophile. I was happy to hear this, and I told Ariel to hold…
The RP-1 is scheduled to be available by the end of September and will not be considerably more expensive than the P1. The company hasn’t set a final US retail price, but they’re targeting somewhere around $445, or just $50 (or so) more expensive than the old version. Which I think is great. My eyes tell me the cosmetic upgrades alone are worth that much.
Rega says the RP-1…