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The second of Fiol's solo efforts on Roberto Torres' SAR label, closing with the powerful classic, "Tiene Sabor."
An altogether beautiful album. I selected Fe, Esperanza, y Caridad as one of my 2008 "Records to Die For." Fiol's version of the classic Cheo Marquetti tune, "Oriente," brings me straight to tears.
Of all Fiol's covert art, Macho Mumba stands out as my favorite, depicting a typical Cuban street scene.
Henry Fiol lit up the stage during a tribute to the late sonero, Hector Casanova, held at New York's LQ on November 18, 2007.
"I'm a New York kid. The idea of me living in a private home and mowing a lawn is just ridiculous. I was born on the streets of New York, I've lived here all my life, I'm an apartment dweller, and I just identify with the city. Native New Yorkers are like a different breed, and that's just who I am."
His is a strong and beautiful presence. Henry Fiol is dressed in a pin-striped suit, white pocket square, red tie, black shoes recently shined. The soft scent of his warm cologne follows like a distant echo. He demands attention. There can be little question regarding Henry…
I ran into Ashley over the weekend. She had the baby with her. It had been some time since last I saw them—about a year, in fact. It was good to see them.
"He keeps us busy," she said.
"I wouldn't be able to do it."
"I don't know how Alan does it everyday. He's my hero."
"I bet."
"So, what's new with you?"
Everything seems very superficial when placed alongside raising a child, but I answered anyway:
"Oh, nothing much. Work is good. I've been pretty obsessed with vinyl lately."
"Really? I heard Iris is having a…