Our few days in Istanbul stretched into a dreamscape with its own strange normality. We ate and drank and walked and talked about anything and everything—music and audio, of course, as well as politics, art, literature. In contrast to often one-track American engineers, Leonid Korostyshevski showed an amazing depth of knowledge about painting and sculpture and non-Russian authors—and revealed a previously unexpressed interest in creating new forms of dance that would reflect the effects of technology the way other art forms have.
"Dance is a dead art…