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The announcement in October 1995 of the Digital Versatile Disc (DVD) set the hearts of audiophiles and music lovers pounding. Although primarily a digital video and computer-data storage format, DVD's massive capacity could be applied to a "super CD" audio-only disc. Finally we would be liberated from the musical limitations of the CD's 16-bit word length, 44.1kHz sampling rate, and two-channel format. We were tantalized by reports of 96kHz sampling rate, 24-bit word length, and multichannel playback. Digital redemption appeared to be just around the corner.
"Words are pegs to hang ideas on."—Henry Ward Beecher
Larry Archibald was moving office. As Stereophile's CEO believes that whatever you need should be close to hand and that you will always need everything, a knot of interested staffers gathered to see what archaeological items would be unearthed from the shrinking piles of paper on and around his desk. My haul? I managed to rescue some otherwise dumpster-destined 1986 issues of PC Magazine.
Browsing through those magazines, I stumbled across a writer referring to a 286 PC with a 12MHz clock as "blindingly fast"—compared with the…
"Rave on down through the corridors,
"Rave on words on printed page!"—Van Morrison, "Rave On John Donne"
"Rave on words on printed page!"—Van Morrison, "Rave On John Donne"
HI-FI '96, the Home Theater and Specialty Audio Show (to give it its full title), is the tenth high-end hi-fi show to be organized by Stereophile Inc., and the third to be held in the World's Greatest City, New York. (Our earlier Big Apple Shows took place in October 1987 and April 1990.) From Friday May 31 through Sunday June 2, 1996, 11 floors of the classic, city-block–sized Waldorf=Astoria Hotel will be devoted to the best in home audio, reproduced sound, and Home Theater.…
Conceptually audacious, elegantly designed, executed with space-age precision, and remarkably compact, Grand Prix Audio's direct-drive Monaco turntable ($19,500) aims to turn the tables on the belt-drive designs that have dominated analog playback for three decades.
Beginning with the proverbial clean sheet of paper, designer and project manager Alvin Lloyd leveraged his background in race-car fabrication to create his vision of the ideal 21st-century turntable. He's used modern materials and computer-based motion-control systems to meet the goals of any turntable: to provide a…
The platter-spindle-and-bearing assembly is immersed in an oil bath. The stainless-steel spindle shaft rides in a solid, single-piece bearing/mount structure of phosphor bronze. The vertical load is supported by a high-precision silicon-nitride ceramic ball riding on a bearing pad of a proprietary alloy chosen after careful listening to many different materials.
The Monaco's DSP-based motor controller is housed in a separate enclosure and connects via umbilical to a multi-pin Lemo jack fitted neatly inside a carbon-fiber cylinder that juts from the rear of the Monaco's plinth, below and…
When the oil level is within a hair of full, the turntable can be operated and records played. In fact, the platter should be left spinning continuously for the next three days, during which time the oil level must be carefully monitored, and more oil added as needed. After that, the holes should be covered with stick-on pads (supplied). Nothing else need be done. However, should you then move the Monaco, you'll need to first remove some of the oil or else risk a messy spill. And if you overfill the well during initial setup, the oil will run down the side of the bearing structure and out…
But after I'd spent some time with the Monaco, its somewhat cool, aloof personality and less-than-generous harmonic and textural presentation became evident. Its dry, tight sound will immediately appeal to some listeners, especially those used to a 'table with uncertain speed control or one that retains and reflects energy back through the system to produce a sloppy, boring warmth. For them, the Monaco's clarity, rhythmic organization, and jet-black backdrops will be breathtaking.
Forget about better or worse: the Monaco's direct-drive system sounded different from belt drive. Was that…
Sidebar 1: Specifications
Description: Direct-drive, suspensionless turntable with DSP-controlled, brushless, 12-pole, DC motor. Speeds: 331/3rpm, 45rpm, each variable by up to ±1%, in 0.2% increments. Speed accuracy: better than 0.002% peak deviation from average speed, or a calculated 0.0014% RMS based on three-sigma statistical protocol. Wow & flutter: <0.002%. Rumble: not specified.
Dimensions: Turntable side-by-side with power supply, 24" (615mm) W by 8" (205mm) H (including feet) by 15.5" (400mm) D. Turntable alone is approximately 13" in diameter, plus the tonearm mount…
Sidebar 2: Associated Equipment
Analog Sources: Continuum Audio Labs Caliburn turntable & Cobra tonearm; Merrill MS-21 turntable; Graham Phantom B-44, Triplanar tonearms; Lyra Titan, Air Tight PC-1, Koetsu Vermillion cartridges.
Digital Sources: Musical Fidelity kW DM25 DAC & CD transport, Musical Fidelity kW SACD player; Esoteric SA-60 universal player; BPT-modified Alesis Masterlink hard-disk recorder.
Preamplification: Manley Steelhead, Einstein Turntable's Choice phono preamplifiers; darTZeel NHB-18NS preamplifier.
Power Amplifiers: Musical Fidelity kW monoblocks.…
A friend once described my audio ethos as "records, tubes, big amplifiers, and really big speakers"—I always picked warmth and musicality over antiseptic neutrality, even if the former came with a few extra colors in the tonal palette. Had I listed my criteria for an audio component, transparency wouldn't have been near the top, and might not have been listed at all.
But a little over three years ago, my pursuit of audio nirvana veered sharply off its previous trajectory. Placette Audio's unassuming little Remote Volume Control changed all. The experience was eye-opening and jaw…