I heard the Volvere through Valve's new $4000 Black Widow…
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Music Direct was showing off two new turntables in the Avid line: the $4500 Volvere and the $7500 Sequel. The Volvere was developed by using the flagship model Acutus as its prototype and removing or downsizing only those elements that had the least effect on sound quality. Like the Acutus, the Volvere has adjustable suspension, adjustable horizontal damping, and a motor mount that keeps the subchassis and platter from dancing closer and further apart from one another(a common problem with many sprung subchassis models).
The live music portion of HE 2006 opened Friday with a performance from the Los Angeles Guitar Quartet, who have a new album out on Telarc. Fred Manteghian, Stephen Mejias and myself, all guitarists, sat in the front row and decided we all need to practice harder. Much harder.
One of the great demos at the show is a comparison between two identical systems and rooms, with one major difference: one has been treated with Real Traps and RPG acoustic treatment products and one left au natural. The display was hosted by dealer Ultimate Audio Video and acoustics consultants Rives Audio and the difference was not subtle. As Stephen pointed out, the treated room was much easier to listen to, with a more open soundstage and less confused imaging. Rives Audio treated the room with RPG's products and Real Traps Corner Mondo Traps and Tri-Corner Bass Traps. Richard…
Michael Fremer is promoting his new turntable set-up DVD, on sale here at the show and through fine audiophile retailers everywhere.
Front-end in the Lamm room, with a system featuring Lamm tubed electronics driving Wilson Sophia 2 speakers, was this gorgeous turntable from French company Metronome, the Gaia, fitted with a Graham Phantom tonearm and a Lyra Titan cartridge.
Wes Phillips went gaga over the Moscode HR410 amplifier in the current (June) issue of Stereophile and at HE2006, I was equally impressed by the amplifier driving Joseph RM25XL Special Edition speakers ($4199/pair). Source was a Yamaha SACD player and a Placette Active Line Stage. I listened to SACDs of a Mahler symphony (from the Michael Tilson-Thomas cycle with the SFSO) and "Swing Live" on Chesky (for which I had been present at the sessions) and the sound was vivid without being over-hyped. Moscode's Gage Rommel showed me a mockup of the forthcoming Moscode preamplifier. This is…
Yesterday, we published a photo—see http://blog.stereophile.com/he2006/060106dryeye—of audiophiles listening to a CD-R of the provisional master of "Shenandoah" from my new recording of Cantus' There Lies the Home album, due for release in July, on the new Wilson WATT/Puppy 8s. You can see in that picture Wilson's Peter McGrath about to shoot a photo. This is what he captured. But what is Mikey Fremer holding in his hand?
After lunch, I wandered into the Joseph Audio room. I had initially encountered Jeff Joseph on Wednesday afternoon as he was attempting to cart four huge boxes of equipment into the hotel by stacking them one atop the other on a flimsy two-wheel luggage cart. Needless to say, upon encountering a small hump at the hotel threshold, the poor thing began to bend under the weight, unceremoniously depositing Jeff's boxes on the floor. Like someone kicking a mule whose hind legs have collapsed under it, Jeff attempted to wrestle with the beast, trying to convince it to perform its intended duty. The…
"Joseph and Cardas must be stopped! Don’t let them win best sound again! Give someone else a chance!" That was the bit of tongue-in-cheek "reverse psychology" stated on buttons handed out by Jeff Joseph. The upgraded speakers at the show were the RM7XL ($2299/pair) and the RM22XL ($3199/pair).
Unexpected amusement greeted me in the small Covenant Audio & Aaudio Imports room. As soon as I entered, an overgrown post-adolescent seated himself in the sweet spot, took one look at the visually stunning Wavac HE-833v1.3 tube monoblocks ($69,000/pair), Wavac PR-T1 tube preamp (a mere $30K), Acapella High Violin MK 888 horn speakers ($48,000/pair—where do they get these names?), and Accustic Arts Drive and DAC ($12,800 together), all held together and powered by assorted cables and power products from PranaWire, Stealth and Isoclean, and blurted out, "This looks like super-high end."…