Via Jonathan Scull, who probably has auditioned both 3Wpc and 2000Wpc amplifiers.
search
The Space Review has published an interesting look at Heinlein's collaborations with filmmakers. You've got to love an article that contains lines like this: "To the extent that such an awful piece of filmmaking can actually have a message, Rocketship X-M has a shallow and not terribly original message that nuclear war is bad for children and other living things. The universe is hostile, God hates us, and we’re all doomed. Have a nice day."
I discovered Erik Satie while in college. The music seemed perfectly fit for such strange and brightly-colored cartoon mornings, rainy afternoons, very sad and lonely drunken nights. Perfectly fit for a dude who felt out of time with himself, a mishmash of incomplete angles and ideas, a dance party, a moonlit walk along a muddy trail, a stranger, a desperate fuck.
The Naxos recording of Satie works performed by Klara Kormendi was one of the few discs I brought along with me when I fled New Jersey for a semester in England. At Fairleigh Dickinson University's Wroxton Abbey in…
The Smithsonian has a nifty slideshow on Harry Houdini. It's mostly posters, but the action shots are worth checking out.
We're so excited about the new Photo Gallery, and so happy with the steam it's building, we've come up with another section to the album: The History of Stereophile.
This, I think, is very cool. Our magazine has been around for over 40 years, has seen so much life, told so many stories, sung so many songs. This is rich, rich soil; deep, deep soul.
It started in J. Gordon Holt's bedroom in Pennsylvania, moved out west to New Mexico, came back east to New York City. It stayed out after its curfew, got drunk, pissed in sewers, vomitted in subway cars, experimented with the…
I love the 33 1/3 series of books, but each book I buy costs me at least one CD. LargeHeartedBoy 'splains it's worse than that.