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This is The Planets' second go-round on LSO Live, which, decades ago, brought us one conducted by Sir Colin Davis. I'd forgotten this label has been around as long as that!

Sir Antonio's take on the score has more distinctive moments than Sir Colin's. The solo reeds' legato dovetails in the scurrying Mercury are breathtaking. In the solemn, inexorable…

In an intriguing, surprisingly short program, violist Rachel Yonan and pianist Kwan Yi mix three intentionally sparse "modern" pieces by Arvo Pärt and Sir James MacMillan with Robert Schumann's four far more effusive Märchenbilder (fairy tales). The contrasts are many, and the rewards are considerable.

Those rewards are enhanced by Daniel Shores's commitment to recording in DXD…

Years ago, Hyperion released a Planets that added Colin Matthews's "Pluto, " absent from Holst's suite. Since then, alas, Pluto was demoted. Now the Melbourne Symphony has issued its own Planets—distributed through a partnership with LSO Live—appending an "Earth" movement composed by Deborah Cheetham Fraillon…

This fine recording, distinguished by copious color, excellent bass, and a deep if edgeless soundstage, showcases two phases of Lutosławski's compositional career. The Concerto for Orchestra was composed when he was in his early 40s; the far more "…

The opening horn solo steps straightforwardly; the plaintive answering wind chorale picks up. The forte piano scales, brilliant and peremptory, propel the theme into a precipitate but firmly grounded tutti, setting things in motion. But it's a feint: Piemontesi and Honeck bring out the composer's lyrical, autumnal side. It's the quieter passages that linger in the mind's…

The popular Mendelssohn begins forthrightly but uneasily: The main lines ought to stand in sharper relief. As the harmonies become more conflicted, the sonority has nowhere to go. After a minute or so, everyone settles in, though the dry, unalluring tone remains a problem throughout. The players shift moods on a dime, with unmarked Luftpausen effectively separating the sections. The agitated development, wandering into…

I was unprepared for the easy, peaceful opening of the Park Avenue's Ninth, with its blended, coolly lyrical violins and focused lead horn. Within clear textures, Bernard shapes and tapers the short motifs to fine effect, and the clarinet makes a point of phrasing its countertheme "across the bars." The brief transitional passage unexpectedly injects an off-kilter dance lilt.

In the…

Digital Sources: Apple MacBook Pro laptop computer with Intel i7, SSD, 8GB RAM; Apple iMac desktop computer with 3.4GHz Intel Core i7, 12GB RAM; G Drive 4TB external hard drive; Oppo BDP-93 NuForce Edition universal BD player; Benchmark DAC-1 USB DAC. M2Tech HiFace 192kHz Digital Audio Interface.
Loudspeakers: Dynaudio Focus 110A.
Cables: Digital Interconnect: Nordost Odin 1 (BNC with RCA adapters). Analog Interconnect: Nordost Heimdall 2 (USB) & Odin 1 (RCA). AC: Nordost Odin 1 & Odin 2 & Valhalla.
Accessories: Nordost Thor power…

Digital Sources: dCS Paganini SACD/CD transport & Network Bridge & Scarlatti clock & Vivaldi DAC, Apple iPad Pro.
Power Amplifiers: Pass Laboratories XA200.8 monoblocks.
Loudspeakers: Wilson Audio Specialties Alexia.
Cables: Digital: AudioQuest Diamond (FireWire, Ethernet), Nordost Odin 1 & Odin 2, Wireworld Platinum Starlight Cat8 (Ethernet). Interconnect, Speaker, AC: Nordost Odin 2.
Accessories: Grand Prix Monaco rack & amp stands, 1.5" Formula platforms, Apex feet; Nordost QB8, QX4, QK1, QV2 power accessories; Isotek…

In this Reviewer Video Profile, Jason gives us a tour of his listening room, introduces us to his adorable dogs, and shares some thoughts on life. Oh—and, of course, this video would not be complete without a little whistling! (But I won't tell you where.)

Despite having spent a good bit of time with Jason in person at audio shows, I was surprised to learn that he really is just as quick, witty, and…