As I was writing this review, it had been 8 years since Stereophile reviewer and gifted pianist Bob Reina passed away from an aggressive esophageal cancer. I had used the DirectStream MK1 to play several of the recordings I had made of Bob's free-jazz ensemble Attention Screen back in theday.
The DirectStream MK2's maximum output level is 2.3dB higher than that of the original DirectStream, so after switching to the new DAC, I matched its level to within 0.3dB with the 1kHz warble tone at –20dBFS on Stereophile's Editor's Choice CD (STPH016-2). Playing Attention Screen's Live at…
I have been playing a lot of late a CD-R that recording engineer Tony Faulkner had pressed into my hands at the 2004 Heathrow Show. It was a live recording he had just done of the Royal Philharmonic Orchestra, conducted by Owain Arwel Hughes, performing Gustav Holst's The Planets (subsequently released on CD as Warner Classics 61991). The disc had gotten lost among the many piles in my listening room, and I uncovered it while tidying up in mid-December to get the room presentable for Alon Wolf, who was visiting to help set up the V3s. The Planets has long been a favorite of mine, but what…
"Some say it dates back to 1927, when Gramophone magazine's editor thundered that electrical reproduction was a step backward in sound quality," said the promotional copy for Home Entertainment 2005's opening-day event, "The Great Debate: Subjectivism on Trial." It continued: "But whenever it started, the Great Debate between 'subjectivists,' who hear differences among audio components, and 'objectivists,' who tend to ascribe such differences to the listeners' overheated imaginations, rages just as strongly in the 21st century as it did in the 20th." On April 29 at the Manhattan Hilton,…
Note: As we arrive onsite to prepare for our coverage of High End Vienna and its many satellite shows, we share more of Jason Victor Serinus and Rogier van Bakel's coverage of Europe's second most important audio show, Audio Video Warsaw. Audio Video Warsaw 2026 will take place this fall, October 23-25, 2026. For Jason and Rogier's previous Warsaw show coverage, go here.
The final day of Audio Video Warsaw 2025 ended with claims that it was the second or third largest audio show in the world. Unique visitors reached a record 14,881. (High End may not count unique visitors, but…
Editors' Choice Awards
Magico S5 2024 loudspeaker
Introduced in 2024 to celebrate the California company's 20th anniversary, Magico's S5 2024 may be large and heavy (and expensive), but this three-way, sealed-box floorstanding loudspeaker stepped out of the way of the music with every recording I played. I was particularly impressed by the Magico's uncolored midrange, the control and evenness of its low frequencies, and how the two loudspeakers presented an appropriately large but well-defined soundstage with orchestral recordings. I concluded my review by writing that the S5…
Late in May, Dolby Laboratories held a two-day press event, Fidelity Forum 2.0, to announce a new feature added to the production tools included in their flagship codec, TrueHD. While I could not attend, Jason Victor Serinus reported all the details for Stereophile.
Briefly, while TrueHD has always supported 24-bit/96kHz resolution, the great majority of Blu-ray discs carry audio of no higher resolution than 24-bit/48kHz-barely better than what's found on CDs. That these audio tracks typically sound better than CD, may be due to better attention to production efforts, the use of the 24-…
We were sitting near the pool, in a cozy, private cabana on the outdoor terrace of the Trump Plaza Residences in downtown Jersey City, surrounded by all kinds of beauty: To the north, the old Powerhouse Building stood proud, strong, and silent; to the south, Exchange Place's Colgate Clock was just beginning to glow, extending its tireless arms toward Lower Manhattan; to the east, the Empire State Building soared into the humid evening sky, its white-lit spire making thin veils of the summer clouds; and to the west, the redbrick row houses of Harsimus Cove hummed with the sounds of quiet…
Ouch. That one stung a bit. I spun around in circles, wondering how to begin a response. Should I start with the strange idea of "musicality," or with the horrible perversion of my gear as "lo-fi"? Then again, should I begin by enumerating my qualifications? Should I remind everyone that I've spent significant time listening to some of the most expensive hi-fi products in the world, that I've listened to more gear in the last five years than most people hear in their lives? Or should I simply punch the computer screen?
Luckily, "Enophile" came to my defense: "'Musicality'? I don't buy…
I asked Wayne if there had been changes to the power supply: "The new design uses two double-shielded, low-noise toroids in a true dual-mono topology for the gain channels and another transformer and linear power supply dedicated to the control architecture. We changed from the single Plitron [transformer] to the new Avel Lindbergs. ... The use of three fully independent power supplies in the control chassis results in dramatically lower radiated noise and far better THD+noise figures in the gain stages. Power supply regulation in the unit is a bit more complex, with regulators feeding the…
I had emailed Oliver Göbel a diagram of my room, and he was confident the Divin Marquises would work well in it. I ended up with the woofer of the left-hand Marquis 37" from the LPs that line the nearest sidewall, the right-hand loudspeaker's woofer 34" from the bookshelves that line its sidewall. The woofers were 88" from the wall behind them. This was a little farther out than I wanted, but I couldn't place the speakers any closer to the wall due to the two stairs and raised platform behind the right-hand Marquis that led to the vestibule. The speakers were 120" from the position of my head…
