Each listing, in alphabetical order within classes, is followed by a brief description of its performance characteristics and a note indicating the issue of Stereophile in which its review, and in some cases its Follow-Up reports, have appeared—ie, "Vol.41 No.6" indicates our June 2018 issue. And so forth.…
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Products listed here have been formally reviewed in Stereophile, and we have determined them to be among the finest available in each of four or five quality classes. Whether a component is listed in Class A or Class D (or E), we consider it to be a genuinely recommendable product.
Every product listed here has been formally reviewed in Stereophile. Everything on the list, regardless of rating, is genuinely recommendable.
Within each category, products are listed by class; within each class, they're in alphabetical order, followed by their price, a short synopsis, and a note indicating the issues in which the review and any subsequent follow-up reports appeared. "Vol.44 No.2" indicates our February 2021 issue, for example.
Stereophile's Recommended Components list is concerned mainly with products available in the US through the usual hi-fi retail outlets,…
Over a lifetime of audio shows, I've consistently enjoyed Dynaudio speaker demonstrations. Each time, I've told Dynaudio North America's Michael Manousselis that I'd love to review the speaker on display that year. But I never followed through. So, when Jim Austin suggested I review a Dynaudio speaker "because they haven't gotten much press," it resonated with my deep-seated guilt. A little research revealed that the last Dynaudio speaker Stereophile reviewed was the 40 Special in November 2018. The last floorstander was the Dynaudio Sapphire in 2009!
When I set about selecting a…
All products listed here have been formally reviewed in Stereophile. We consider all the products listed, regardless of rating, to be genuinely recommendable.
Products are listed in alphabetical order within classes, each followed by a brief description of its performance characteristics and a note indicating the issue of Stereophile in which its review, and in some cases Follow-Up reports, appeared; ie, "Vol.42 No.6" indicates our June 2019 issue.
Stereophile's Recommended Components listing is concerned mainly with products available in the US through the usual hi-fi retail…
2020 may not have been a year to celebrate, but there were some housebound highlights. For example, after I had finished with the measurements to accompany Michael Fremer's review of the Marten Oscar Duo in the November 2020 issue, I set up these Swedish two-way standmounts in my own listening room. Yes, the measured performance was excellent, but I was not expecting how much I would enjoy the sound of the Oscar Duos.
At $6995/pair, this is not an inexpensive speaker, but it rivaled the stereo imaging produced by my reference KEF LS50, played louder than the diminutive KEF without…
Photo: John Atkinson
If buying a hi-fi product from an internet retailer is like an arranged marriage, a hi-fi show is like speed dating. Not everyone, I realize, approaches hi-fi shows (or speed dating, for that matter) the same way, and anyway, the analogy between hi-fi and dating is far from perfect. Speed dating is how this year's AXPONA, America's biggest hi-fi show, held at the Renaissance Schaumburg Hotel & Convention Center (above) near Chicago in April, often felt to me as I moved from room to room. Every new system I heard had the potential to become a long-term relationship…
Gabriel Fauré: La Bonne Chanson, L'horizon chimérique
Stéphane Degout, Alain Planès
Harmonia Mundi HMM 902382, CD (reviewed as 24/96). 2024.
Alban Moraud, prod.; Alban Moraud Audio, eng.
Performance ****
Sonics ****
Stéphane Degout, Alain Planès
Harmonia Mundi HMM 902382, CD (reviewed as 24/96). 2024.
Alban Moraud, prod.; Alban Moraud Audio, eng.
Performance ****
Sonics ****
During the current Fauré Centennial, recordings of the composer's music are appearing at a steady pace. So far, vocal music has gotten short shrift, adding importance to this new Harmonia Mundi recital, in which baritone Stéphane Degout, one of today's foremost proponents of French mélodie, adds his mellifluous voice to Alain Planès's period-authentic…
Contrast this view, taken by Peter McGrath as we headed to dinner at show's end, with that of the mobbed staircase at the opening bell. Only the person visible on the ground level carrying two boxes gives indication of the bustle of activity throughout the MOC as exhibitors, who collectively displayed 95% of all high-end brands worldwide, were busy packing, sorting, and shipping enough valuable gear to leave many a trust-fund manager and venture capitalist in tears.
It was another scene in the hallways of the Atriums, where an earlier attempt to connect with McGrath for dinner ran…
I first met electronics engineer John Dawson in 1979, at a British audio show. The company he'd co-founded, A&R Cambridge, had just launched the A60, a slim, elegant-looking, 40Wpc integrated amplifier costing only £99 (then equivalent to $217).
By the time I reviewed the Mk.2 version, in the October 1984 issue of Hi-Fi News & Record Review, the A60's price had risen to £199 ($248), the company was now called Arcam, and more than 22,000 A60s had been sold, making it one of the best-selling amplifiers in England. While preparing that review I had visited Arcam's factory, near the…
Sidebar 3: Measurements, from July 2018 (Vol.41 No.7)
When Jason Victor Serinus reviewed LG's MQA-capable V30 smartphone in our May issue, he was mightily impressed. "LG's implementation of its Hi-Fi Quad DAC is a work of genius," he wrote, concluding that "If ever there were a device that could bring the experience of high-end sound to millions of music lovers, the hi-rez V30 with MQA is it. It's more than a game-changer." JVS added that the V30's combination of audiophile sound quality and smartphone portability "may prove unbeatable." However, our publishing schedule didn't include…