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The Reference 7K is a handsome three-way tower, 1m tall and finished in high-gloss lacquer—black…

Yarlung's latest "audiophile" recording is a breath of fresh air in every respect. Offering seven accessible, beguilingly fresh works, all composed within the last 53 years (and several quite new), it brings together stellar artistic forces: the 49-year-old Takács String Quartet;…

I was rather hoping, given the Berlin Philharmonic, that this might improve on Barenboim's earlier Franck recording with the erratic Orchestre de Paris, which was afflicted by his faux-Furtwängler mannerisms. This one has a few ensemble problems characteristic of Barenboim's conducting, but the textures are consistently clear. Still, as Bernstein's Cunegonde sings, "Ah, 'twas not…

When I recollect the soundtrack to my acid-tinged summer of 1967, several LPs stand out: The Beatles' Sgt. Pepper's you-know-what, The Rolling Stones' Their Satanic Majesties, Richie Havens's Mixed Bag, and Dennis Brain's equally famed recording of the Mozart Horn Concertos, with the Philharmonia Orchestra conducted by Herbert von Karajan.…

It's time to go out on a limb. Are Danny Elfman's Percussion Concerto and the other works on his new album "great music"? Should this classical music, from the former lead singer and songwriter of new wave band Oingo Boingo—who composed film scores for Pee-Wee's Big…

Almost five years after they released the first recording in their Prism series, the Danish String Quartet gives us Prism V. As in previous installments, the DSQ has paired a late Beethoven string quartet—here the extraordinary, final String Quartet No.16 in F major, Op.135—with a related fugue by J.S. Bach and a quartet by a later master.

What has changed is maturity.…

Warsaw-born Mieczysław Weinberg, whose parents worked in the Yiddish Theater and died in a Nazi concentration camp, began a close friendship with Shostakovich. Citing their meeting as the time his life was born anew, Weinberg shared with Shostakovich a history of persecution by Soviet authorities. Shostakovich championed Weinberg's work and interceded on his…

Dvořák's Quartet 13 in G major is only a third longer than the popular American, but its broader scale feels unwieldy. The first movement's hearty, open main theme and lighter second are both appealing once you get past a schizophrenic, Punch-and-Judy introduction. In the Adagio, sustained straight tones lead to a warmly harmonized chorale; later, a warmer, cautiously affirmative…

The new-look Jimi Hendrix Experience (Billy Cox on bass; Mitch Mitchell on drums) recorded a remarkable amount of material between June and August of 1970 at Electric Lady Studios in New York City. The sessions were intended to become First Rays of the New Rising Sun, a double album follow-up to 1968's Electric Ladyland. Hendrix would never…