Considering the amount of careful research, cautious theorizing and wild speculation that have been lavished on the amplifier power question, we should expect to be considerably closer to the answer in 1962 than we were five years ago. This does not seem to be the case.

"You're only as good as your most recent gig," was literally drummed into me in my pro musician days; I've found it to be just as true in magazine publishing. No matter how much hard work went into, say, an equipment review, a couple of months down the line that review will be as fresh as yesterday's undunked donut. And no matter how good-sounding the product, or how much it excited the writer, it will always tend to be overshadowed by the latest and greatest products written about in the new issue—the "moving finger, having writ..." syndrome.

Can anybody still listen to Eagles records these days?

Available on newsstands and the Stereophile online Shop this week is a special 148-page "Collector's Edition" of Stereophile, in which we have compiled all of the reviews comprising the past 10 years' worth of R2D4—some 500 albums selected by 46 writers, organized by musical genre and listed alphabetically. Along with six short essays on recorded music by the magazine's music editor, Robert Baird, there are: 48 pages of Rock reviews, 20 pages of Jazz reviews, 15 pages of Opera & Vocal reviews, 14 pages of Classical Orchestral & Film Score reviews, 9 pages of Chamber Music & Instrumental reviews, and 10 pages of Folk, Blues & World Music reviews.