By the time you read this in late 1963 (probably a month after it is written, judging by the speed with which the US mails speed second-class matter on its appointed rounds), Capitol Records will have announced the first bit of really good news for the high-fidelity perfectionist in years: the release of imported disc pressingstaped, cut, and stamped in Europe. London has been importing for yearsall the Londons you buy are pressed by Decca in England. But this will be the first opportunity we will have of sampling the products of some of London's overseas competitors.
The year was 2116, and the Earth was finally great again.
War, poverty, global warming, starvation, racial inequalitythese, among many others, were all trivial, long overcome matters of the past.
Generation ZZZZers glided around in auto-piloted, eco-friendly, space/time ships. They communicated with each other via holographic telekinetic mind messages. (Though there was always the occasional hippie, of course, who'd pull out a vintage, non-functioning wePhone 2000 or whatever technological dinosaur was making a comeback these days. Lame, if you ask me.)
This story originally appeared at InnerFidelity.com
And then, at 21 second in, right after she sings, "When God gave out rhythm...", two chords are gently played on the piano. My goodness, I've never heard such sensitively percussive, harmonically rich, filled with weight and substance sound from a piano. Most astonishing is the interplay of tones, harmonics, and intermodulation making the whole of the chord a rich textured wave of sound. I was transfixed until track's end.