The first seminar of the day—and the show—was Affordability: How Low Can You Go?…

My brain began to spin, wondering how the thing actually works. What keeps the record on the platter? What keeps the tonearm on the record?

On Friday morning at 9am, the blogging team of (left to right) yours truly, John Atkinson, Herb Reichert, and Jana Dagdagan gathered for a strategy meeting…

Thursday, October 13, 6–8pm, Blink High End (129 Franklin Street, Cambridge, MA)02139) is presenting an evening with Raidho, Aavik,and Ansuz and from 5:30–8pm: Trutone Electronics (980 Dundas Street East, Mississauga, Ontario) will host a computer audio seminar hosted by AudioQuest, featuring how to successfully use a computer as a high-performance media source.

Somehow, the conversation started to lean toward the topic of whiskey…

I flew to Denver in a tin can…

Not having listened to Tchaikovsky's Symphony No.6, aka the "Pathétique," in quite some time, I had forgotten how heart-tugging beautiful it is. While there are many recordings of the work, few can possibly sound as good and feel as right as the new hybrid SACD from Channel Classics with Iván Fischer conducting the Budapest Festival Orchestra. Due out October 7, when it will also be available for download in high-resolution format from nativedsd.com, the recording also enlists the fine Brno Czech Philharmonic Choir for its atmospheric pairing, Borodin's Polovtsian Dances.

When you get old and gray and all them shoot-'em-up dudes doe wanna ride wit you no mo, don't fret—you can still have fun. Once you're a geezer, you'll have more time to work in the garden, drink tea, buy LPs, and fiddle with your unipivot.

When I was José Cuervo young, I mocked belt-drive turntables, unipivot tonearms, and teetotalers. "You can't drink, dance, shoot up the bar, and play hot records wit no persnickety belt-drive or wobbly unipivot. You need a masculine, pro-fessional-quality direct-drive or rim-drive turntable with a sturdy a gimbal-bearing tonearm!"