Recently, I found myself in an email correspondence with David Chesky, the musician/composer/entrepreneur behind Chesky Records and HDtracks, which was the world's first hi-rez music-download service. With his brother Norman, David has long run those businesses while engaging with his art. At the time of our correspondence, he was on tour with his jazz trio and busy "writing operas and children's works to keep me out of trouble," as he wrote in an email. Brother Norman, surely, has had much to do with the success of the Chesky ventures—I do not mean to give him short shrift—but it was David I was communicating with, so he is the focus here.

I’ve heard the new Oneiros speaker in three different rooms in New York City and thought I had their sound pegged. I was wrong.

Jeff Joseph's room is the hottest ticket at every show. Securing a seat is a yearly battle, driven by the sheer, undeniable magic of his and Nick Doshi's reel-to-reel system.

In one of Joe Parvey and House of Stereo’s five rooms at FLAX 2025, the Jacksonville, Florida dealer presented horn-loaded speakers and tubed electronics. Be still my beating heart!

Ofra Gershman brought an exceptional system to FLAX 2025.

Franck: Symphony In D Minor, Fauré: Pelléas et Mélisande, Berlin Philharmonic/Daniel Barenboim; L'Arpeggiata: Terra Mater, L'Arpeggiata, Christina Pluhar, cond.; Malena Ernman, mezzo-soprano; Robert Simpson: Chamber Music, Volume One, The Tippett Quartet; Emma Johnson, clarinet; Raphael Wallfisch, cello; others.

The Cure: Songs of a Lost World; Michael Kiwanuka: Small Changes; Father John Misty: Mahashmashana.

Out Of/Into: Motion I; Ambrose Akinmusire: Honey From a Winter Stone; Lars Danielsson/Verneri Pohjola/John Parricelli: Trio; Joe Syrian Motor City Jazz Octet: Secret Message; Arild Andersen: Landloper.