It's a toss-up: The house where my family and I lived for 15 years was bigger than the one we have now, and had a much nicer view. On the other hand, we now live in a less economically depressed region, as suggested by the relative scarcity of inflatable lawn decorations. During the last year I saw in my neighborhood far fewer leprechauns, reindeer, Easter Bunnies, purple-and-green Draculas, and turkeys wearing pilgrim hats (which makes about as much sense as Russian soldiers wearing lederhosen). I find those things unspeakably sad, because they're horrible, cheap, gaudy wastes of money.

Audiophilia is nothing if not nostalgic—in fact, it's doubly so. Listening to recorded music is an act of looking back, often with the hope of re-creating some wistfully recalled wonder. On top of that, the zeal to perfect the playback experience, whether by means of better-quality recordings or better hardware, is far less common than it used to be among middle-class consumers. Although in recent years our pastime has surprised with its resilience, we're surely nearer the immolation scene than the Prelude to Act I.

Pretty eye-catching, eh? Such was the class act from Göbel High End, who even brought their own room treatment panels to the show.

When Dynaudio’s Mike Manousselis told me that the new Dynaudio Confidence 30 ($20,000/pair) has a new Esotar3 tweeter, I thought of John Atkinson, who praised this company’s tweeters in a review some years back. The new tweeter includes a Hexis inner dome to help dissipate back wave energy and, as with all the other new drivers in the speaker, uses new “ultra-powerful” neodymium magnets.