In the October 1994 <I>Stereophile</I> (Vol.17 No.10, p.39), I discussed my experiences with the DTS audio data-reduction code/decode switch box, which, briefly, is a two-channel box that makes use of the algorithm DTS has proposed for their version of discrete multichannel sound for laserdiscs.

<B>J.S. BACH: Secular Cantatas</B><BR> "Coffee Cantata," BWV 211; "Peasant Cantata," BWV 212; <I>Durchlauchtster Leopold</I>, BWV 173a<BR> Dorothea R&#246;schmann, soprano; Hugues Saint-Gelais, tenor; Kevin McMillan, baritone; Les Violons du Roy, Bernard Labadie<BR> Dorian DOR-90199 (CD only). Craig D. Dory, eng.; Brian C. Peters, eng., prod. DDD. TT: 73:13

Back in the spring of 1990, <I>Stereophile</I> introduced its first <A HREF="http://www.stereophile.com//reference/176/">Test CD</A>, featuring a mixture of test signals and musical tracks recorded by the magazine's editors and writers. Even as we were working on that first disc, however, we had plans to produce a second disc which would expand on the usefulness of the first and feature a more varied selection of music. The result was our <A HREF="http://www.stereophile.com//features/338/">Test CD 2</A>, released in May 1992.

Back in the spring of 1990, <I>Stereophile</I> introduced its first <A HREF="http://www.stereophile.com//reference/176/">Test CD</A>, featuring a mixture of test signals and musical tracks recorded by the magazine's editors and writers. Even as we were working on that first disc, however, we had plans to produce a second disc which would expand on the usefulness of the first and feature a more varied selection of music. The result was our <A HREF="http://www.stereophile.com//features/338/">Test CD 2</A>, released in May 1992.

Back in the spring of 1990, <I>Stereophile</I> introduced its first <A HREF="http://www.stereophile.com//reference/176/">Test CD</A>, featuring a mixture of test signals and musical tracks recorded by the magazine's editors and writers. Even as we were working on that first disc, however, we had plans to produce a second disc which would expand on the usefulness of the first and feature a more varied selection of music. The result was our <A HREF="http://www.stereophile.com//features/338/">Test CD 2</A>, released in May 1992.

Back in the spring of 1990, <I>Stereophile</I> introduced its first <A HREF="http://www.stereophile.com//reference/176/">Test CD</A>, featuring a mixture of test signals and musical tracks recorded by the magazine's editors and writers. Even as we were working on that first disc, however, we had plans to produce a second disc which would expand on the usefulness of the first and feature a more varied selection of music. The result was our <A HREF="http://www.stereophile.com//features/338/">Test CD 2</A>, released in May 1992.

Back in the spring of 1990, Stereophile introduced its first Test CD, featuring a mixture of test signals and musical tracks recorded by the magazine's editors and writers. Even as we were working on that first disc, however, we had plans to produce a second disc which would expand on the usefulness of the first and feature a more varied selection of music. The result was our Test CD 2, released in May 1992.

Back in the spring of 1990, <I>Stereophile</I> introduced its first <A HREF="http://www.stereophile.com//reference/176/">Test CD</A>, featuring a mixture of test signals and musical tracks recorded by the magazine's editors and writers. Even as we were working on that first disc, however, we had plans to produce a second disc which would expand on the usefulness of the first and feature a more varied selection of music. The result was our <A HREF="http://www.stereophile.com//features/338/">Test CD 2</A>, released in May 1992.

Back in the spring of 1990, <I>Stereophile</I> introduced its first <A HREF="http://www.stereophile.com//reference/176/">Test CD</A>, featuring a mixture of test signals and musical tracks recorded by the magazine's editors and writers. Even as we were working on that first disc, however, we had plans to produce a second disc which would expand on the usefulness of the first and feature a more varied selection of music. The result was our <A HREF="http://www.stereophile.com//features/338/">Test CD 2</A>, released in May 1992.

Back in the spring of 1990, <I>Stereophile</I> introduced its first <A HREF="http://www.stereophile.com//reference/176/">Test CD</A>, featuring a mixture of test signals and musical tracks recorded by the magazine's editors and writers. Even as we were working on that first disc, however, we had plans to produce a second disc which would expand on the usefulness of the first and feature a more varied selection of music. The result was our <A HREF="http://www.stereophile.com//features/338/">Test CD 2</A>, released in May 1992.